Animal Figures examines the ways literature and psychoanalysis interact in their deployments of “animals,” while also suggesting how they might address the other-than-human. What might be required of both to think animal subjectivity non-anthropocentrically? In a close reading of Emmanuel Levinas’s Name of a Dog, I demonstrate how the text reanimates animate being (specifically a dog) in linguistic figuration through the literary or the rhetorical and according to analytics resembling psychoanalysis more than philosophy. While thematically Levinas’s chapter addresses the ethical and religious as they pertain to the figure of the dog, the chapter, in its linguistic and rhetorical performance, enacts a relation between language and animal being – elsewhere neologized as animot or animetaphor – more akin to psychoanalysis than to philosophy.