Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-09T15:04:14.590Z Has data issue: false hasContentIssue false

11 - García Márquez and film

Published online by Cambridge University Press:  28 September 2010

Philip Swanson
Affiliation:
University of Sheffield
Get access

Summary

“[My relationship with cinema] is like that of a poorly-matched married couple. That is to say, I can't live with cinema, and I can't live without it. And, to judge by the number of offers that I get from producers, cinema feels the same way about me.” / García Márquez's provocative statement regarding his relationship to cinema provides a sound starting point for the consideration of this Colombian writer and his filmic endeavours. Certainly, the number of Garciamarquian film projects is large and still growing, as attested to by British director Mike Newell's filming of El amor en los tiempos del cólera (Love in the Time of Cholera) (released in the Americas in 2007), Mexican director Carlos Carrera's filming of Noticia de un secuestro (News of a Kidnapping) and Costa Rican Hilda Hidalgo's 2009 film of Del amor y otros demonios (Of Love and Other Demons). The frequency of García Márquez's film-related projects, and those of others to bring his work to the big screen, is thus clear, but these, for a variety of reasons as will be discussed below, have not always lived up to their potential. Whilst García Márquez is undoubtedly best known as the Nobel Prizewinning novelist, his contribution to, and adaptations within, the cinematic realm cannot be underestimated. His relationship with cinema has been prolonged and complex, and he has played a variety of roles, ranging from film critic, scriptwriter, director, member of a variety of film-related organisations and, of course, inspiration for the large number of cinematic adaptations based on his narrative output. We can thus consider his contribution to cinema in terms of three broad areas: García Márquez on cinema, García Márquez as cinema and García Márquez in cinema.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×