So began the draft of a warrant, dated 19 July 1660, allowing two courtiers of Charles II to have shared control of the London public theatre. The document went on to authorize Killigrew and Davenant to give performances with scenery and music, to establish ticket prices and employee salaries, and to suffer no rival companies. This draft, written, remarkably, by Davenant himself, served as the basis for a warrant a month later stating essentially the same thing and directing the two new managers to be their own censors of plays.