In the 1815 collection Poetic Trifles, a poem entitled 'What came of firing a Gun' describes the unfortunate victim of a boy's killing spree, a bird knocked out of the sky in the poem's first lines:

Without knowing anything about the author, we might be tempted to attribute this poem to a woman writer on the basis of its similarity to other sympathetic animal poems such as Anna Barbauld's 'The Mouse's Petition', Mary Robinson's 'The Linnet's Petition', and Charlotte Smith's elegy on the death of a pet dormouse. Male writers, of course, also wrote sentimental animal poems – William Cowper’s ‘On a Goldfinch Starved to Death in His Cage’ is one example – but recent feminist criticism has encouraged us to view women writers’ animal petition poems as a distinct genre, and to read these poems as veiled critiques of masculine power structures. Marlon Ross and Mitzi Myers, for example, both read Barbauld’s poem as a political intervention, with the poem’s trapped mouse standing in for disempowered peoples. ‘What came of firing a Gun’ concludes: