Book contents
- The Cambridge Companion to Electronic Music
- Cambridge Companions to Music
- The Cambridge Companion to Electronic Music
- Copyright page
- Contents
- Illustrations and Figures
- Notes on Contributors
- Acknowledgements
- Chronology
- Introduction
- 1 The Origins of Electronic Music
- 2 Electronic Music and the Studio
- 3 Live Electronic Music
- 4 A History of Programming and Music
- 5 Interactivity and Live Computer Music
- 6 Algorithmic Composition
- 7 Live Audiovisuals
- 8 Network Music
- 9 Electronic Music and the Moving Image
- ‘Film Music Scoring’ Versus ‘Sound Design’
- Electronic Music and Film
- Disembodied Electronica in Film
- Instrumental Electronica in Films
- Electronic Music on TV
- Electronic Music and Games
- Future Media?
- Kevin Saunderson
- Kanta Horio
- Donna Hewitt
- Alejandro Viñao
- Bubblyfish
- Barry Truax
- Lukas Ligeti (Burkina Electric)
- Christina Kubisch
- Murat Ertel
- Adina Izarra
- Cybork – Moscow Laptop Cyber Orchestra
- Francis Dhomont
- David Behrman
- Kevin Blechdom (Kristin Erickson)
- Karlheinz Stockhausen
- George E. Lewis
- Artists’ Statements II
- 10 Computer Generation and Manipulation of Sounds
- 11 Trends in Electroacoustic Music
- 12 Electronic Sound Art and Aesthetic Experience
- 13 DIY and Maker Communities in Electronic Music
- 14 Extending the Instrumental Sound World Using Electronics
- 15 The Analysis of Electronic Music
- References
- Index
- Miscellaneous Endmatter
Artists’ Statements II
from 9 - Electronic Music and the Moving Image
Published online by Cambridge University Press: 27 October 2017
- The Cambridge Companion to Electronic Music
- Cambridge Companions to Music
- The Cambridge Companion to Electronic Music
- Copyright page
- Contents
- Illustrations and Figures
- Notes on Contributors
- Acknowledgements
- Chronology
- Introduction
- 1 The Origins of Electronic Music
- 2 Electronic Music and the Studio
- 3 Live Electronic Music
- 4 A History of Programming and Music
- 5 Interactivity and Live Computer Music
- 6 Algorithmic Composition
- 7 Live Audiovisuals
- 8 Network Music
- 9 Electronic Music and the Moving Image
- ‘Film Music Scoring’ Versus ‘Sound Design’
- Electronic Music and Film
- Disembodied Electronica in Film
- Instrumental Electronica in Films
- Electronic Music on TV
- Electronic Music and Games
- Future Media?
- Kevin Saunderson
- Kanta Horio
- Donna Hewitt
- Alejandro Viñao
- Bubblyfish
- Barry Truax
- Lukas Ligeti (Burkina Electric)
- Christina Kubisch
- Murat Ertel
- Adina Izarra
- Cybork – Moscow Laptop Cyber Orchestra
- Francis Dhomont
- David Behrman
- Kevin Blechdom (Kristin Erickson)
- Karlheinz Stockhausen
- George E. Lewis
- Artists’ Statements II
- 10 Computer Generation and Manipulation of Sounds
- 11 Trends in Electroacoustic Music
- 12 Electronic Sound Art and Aesthetic Experience
- 13 DIY and Maker Communities in Electronic Music
- 14 Extending the Instrumental Sound World Using Electronics
- 15 The Analysis of Electronic Music
- References
- Index
- Miscellaneous Endmatter
Summary
- Type
- Chapter
- Information
- The Cambridge Companion to Electronic Music , pp. 170 - 184Publisher: Cambridge University PressPrint publication year: 2017
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