Book contents
- Frontmatter
- Introduction
- 1 The poet as critic
- 2 Poe and his circle
- 3 Poe’s aesthetic theory
- 4 Poe’s humor
- 5 Poe and the Gothic tradition
- 6 Poe, sensationalism, and slavery
- 7 Extra! Extra! Poe invents science fiction!
- 8 Poe’s Dupin and the power of detection
- 9 Poe’s feminine ideal
- 10 A confused beginning
- 11 Poe’s “constructiveness” and “The Fall of the House of Usher”
- 12 Two verse masterworks
- 13 Poe and popular culture
- 14 One-man modernist
- Select bibliography
- Index
1 - The poet as critic
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- Introduction
- 1 The poet as critic
- 2 Poe and his circle
- 3 Poe’s aesthetic theory
- 4 Poe’s humor
- 5 Poe and the Gothic tradition
- 6 Poe, sensationalism, and slavery
- 7 Extra! Extra! Poe invents science fiction!
- 8 Poe’s Dupin and the power of detection
- 9 Poe’s feminine ideal
- 10 A confused beginning
- 11 Poe’s “constructiveness” and “The Fall of the House of Usher”
- 12 Two verse masterworks
- 13 Poe and popular culture
- 14 One-man modernist
- Select bibliography
- Index
Summary
Edgar Allan Poe, poet, short story writer, and critic, was a controversial figure in the publishing world of antebellum America. His ability to spark controversy stemmed not only from an image concocted by his contemporary detractors but from the sharp tone and pointed content of the critical articles he wrote during his lifetime. He worked as an editor and contributor to magazines in several American publishing venues, including Richmond, New York, and Philadelphia. His continuing ambition was to found and edit his own magazine, an outlet that would have granted him financial security and artistic control in what he deemed an antagonistic literary marketplace. Poe's challenge to moralistic strictures against literature, his confrontations with the New England literary establishment, and his caustic and satirical critical style won him many enemies.
- Type
- Chapter
- Information
- The Cambridge Companion to Edgar Allan Poe , pp. 7 - 20Publisher: Cambridge University PressPrint publication year: 2002