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15 - In Darwin’s wake, where am I?

from PART IV - WAYS FORWARD

Published online by Cambridge University Press:  28 May 2006

Jonathan Hodge
Affiliation:
University of Leeds
Gregory Radick
Affiliation:
University of Leeds
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Summary

Parfois je pense; et parfois, je suis.

Paul Valèry

Valéry's 'Variation sur Descartes' excellently evokes the vanishing act that has haunted philosophy ever since Darwin overturned the Cartesian tradition. If my body is composed of nothing but a team of a few trillion robotic cells, mindlessly interacting to produce all the large-scale patterns that tradition would attribute to the nonmechanical workings of my mind, there seems to be nothing left over to be me. Lurking in Darwin's shadow there is a bugbear: the incredible Disappearing Self. One of Darwin's earliest critics, Robert MacKenzie, saw what was coming and could scarcely contain his outrage:

In the theory with which we have to deal, Absolute Ignorance is the artificer; so that we may enunciate as the fundamental principle of the whole system, that, in order to make a perfect and beautiful machine, it is not requisite to know how to make it. This proposition will be found, on careful examination, to express, in condensed form, the essential purport of the Theory, and to express in a few words all Mr. Darwin's meaning; who, by a strange inversion of reasoning, seems to think Absolute Ignorance fully qualified to take the place of Absolute Wisdom in all the achievements of creative skill.

This ‘strange inversion of reasoning’ promises – or threatens – to dissolve the Cartesian res cogitans as the wellspring of creativity, and then where will we be? Nowhere, it seems. It seems that if creativity gets ‘reduced’ to ‘mere mechanism’ we will be shown not to exist at all. Or, we will exist, but we won’t be thinkers, we won’t manifest genuine ‘Wisdom in all the achievements of creative skill’. The individual as Author of works and deeds will be demoted: a person, it seems, is a barely salient nexus, a mere slub in the fabric of causation.

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Publisher: Cambridge University Press
Print publication year: 2003

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