Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
6 - Composing for Ensemble
from Part II - Techniques
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter gives a practical overview of writing for a variety of chamber music scenarios, from the traditional (e.g. string quartet) to the unusual (e.g. tuba trio). It describes how to respond to the existing canon of music for ensemble, as well as being creatively inspired by performers in rehearsal situations.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 93 - 105Publisher: Cambridge University PressPrint publication year: 2024