The history of art in the Romantic period has usually been considered in secularized terms, with a focus on the genres of portraiture and landscape, and the impact of commercialization and public exhibitions. Religious painting was produced in Britain in these decades, including decorations and altarpieces for Anglican churches by Benjamin West, Henry Thomson, and even the landscape painter John Constable. In fact, religious pictures were produced more frequently and with greater ambition in the early nineteenth century than hitherto. Meanwhile, dissenting and esoteric faith commitments influenced the output of several significant artists, most notably William Blake. This essay explores the major changes in British religious art of the period and reflects on the reasons why religious images have been so often overlooked by mainstream art history.