Book contents
- The Cambridge Companion to British Literature of the 1930s
- The Cambridge Companion to British Literature of the 1930s
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Chapter 1 Poetry
- Chapter 2 The Literary Novel
- Chapter 3 Drama
- Chapter 4 Publishing and Periodicals
- Chapter 5 The Middlebrow and Popular
- Chapter 6 Modernism
- Chapter 7 Communism and the Working Class
- Chapter 8 Empire
- Chapter 9 Travel
- Chapter 10 The Regional and the Rural
- Chapter 11 The Queer 1930s
- Chapter 12 Remembering and Imagining War
- Chapter 13 Fascism and Anti-Fascism
- Chapter 14 Fashioning the 1930s
- Index
- Cambridge Companions to …
Chapter 13 - Fascism and Anti-Fascism
Published online by Cambridge University Press: 18 December 2019
- The Cambridge Companion to British Literature of the 1930s
- The Cambridge Companion to British Literature of the 1930s
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Chapter 1 Poetry
- Chapter 2 The Literary Novel
- Chapter 3 Drama
- Chapter 4 Publishing and Periodicals
- Chapter 5 The Middlebrow and Popular
- Chapter 6 Modernism
- Chapter 7 Communism and the Working Class
- Chapter 8 Empire
- Chapter 9 Travel
- Chapter 10 The Regional and the Rural
- Chapter 11 The Queer 1930s
- Chapter 12 Remembering and Imagining War
- Chapter 13 Fascism and Anti-Fascism
- Chapter 14 Fashioning the 1930s
- Index
- Cambridge Companions to …
Summary
In his remarks to the Congress of American Writers in 1937, Ernest Hemingway addressed the audience with the bold declaration that ‘There is only one form of government that cannot produce good writers, and that system is fascism. […] [F]ascism is a lie told by bullies. A writer who will not lie cannot live or work under fascism.’ Fighting fascism in the 1930s, for many of the world’s most influential writers, was not simply a political or ideological battle – it was a symbolic struggle for integrity, freedom, and liberty under threat of intellectual enslavement. Hemingway was not alone in believing that writers were obliged to be ‘good’ through an active critique of fascist ideologies.
- Type
- Chapter
- Information
- The Cambridge Companion to British Literature of the 1930s , pp. 207 - 223Publisher: Cambridge University PressPrint publication year: 2019