Book contents
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Index
- References
Part III - Experimental Theatre and Other Forms of Entertainment
Published online by Cambridge University Press: 20 August 2021
Book contents
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to American Theatre since 1945 , pp. 205 - 275Publisher: Cambridge University PressPrint publication year: 2021
References
Select Bibliography
Banes, S. Greenwich Village, 1963: Avant-Garde Performance and the Effervescent Body. Duke University Press, 1993.Google Scholar
Bogart, A., and Landau, T.. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. Theatre Communications Group, 2004.Google Scholar
Bottoms, S. Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement. University of Michigan Press, 2006.Google Scholar
Kaufman, M., and Pitts-McAdams, B.. Moment Work: Tectonic Theatre Project’s Process for Devising Theatre. Vintage Books, 2018.Google Scholar
Malzacher, F. (ed.). The Life and Work of Nature Theater of Oklahoma. Alexander-Verlag, 2020.Google Scholar
Mason, S. V. The San Francisco Mime Troupe Reader. University of Michigan Press, 2005.Google Scholar
Shank, T. Beyond the Boundaries: American Alternative Theatre. University of Michigan Press, 2002.Google Scholar
Syssoyeva, K. M., and Proudfitt, S. (eds.). A History of Collective Creation. Palgrave Macmillan, 2013.Google Scholar
Select Bibliography
Auslander, P. Performing Glam Rock: Gender and Theatricality in Popular Music. University of Michigan Press, 2006.Google Scholar
Bolter, J. D., and Grusin, Richard. Remediation: Understanding New Media. MIT Press, 1999.Google Scholar
Chaudhuri, U. Staging Place: The Geography of Modern Drama. University of Michigan Press, 1997.Google Scholar
Dixon, S. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2007.Google Scholar
Jackson, S., and Weems, M.. The Builders Association: Performance and Media in Contemporary Theater. MIT Press, 2015.Google Scholar
Parker-Starbuck, J. “Cyborg Returns: Always-Already Subject Technologies.” In Bay-Cheng, S., Parker-Starbuck, J., and Saltz, D. (eds.), Performance and Media: Taxonomies for a Changing Field. University of Michigan Press, 2015.Google Scholar
Salter, C. Entangled: Technology and the Transformation of Performance. MIT Press, 2010.Google Scholar
Select Bibliography
Budd, M., and Kirsch, M. H.. Rethinking Disney: Private Control, Public Dimensions. Wesleyan Press, 2005.Google Scholar
Kokai, J. A., and Robson, T. (eds.). Performance and the Disney Theme Park Experience: The Tourist as Actor. Palgrave Macmillan, 2019.Google Scholar
Magelssen, S. Living History Museums: Undoing History through Performance. Scarecrow Press, 2007.Google Scholar
Magelssen, S. Simming: Participatory Performance and the Making of Meaning. University of Michigan Press, 2014.Google Scholar
Magelssen, S., and Justice-Malloy, R. (eds.). Enacting History. University of Alabama Press, 2011.Google Scholar
Schneider, R. Performing Remains: Art and War in Times of Theatrical Reenactment. Routledge, 2011.Google Scholar
Sorkin, M. (ed.). Variations on a Theme Park: The New American City and the End of Public Space. Hill and Wang Press, 1992.Google Scholar