Book contents
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Index
- References
Part I - Commercial and Mainstream Theatre
Published online by Cambridge University Press: 20 August 2021
Book contents
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to American Theatre since 1945 , pp. 17 - 132Publisher: Cambridge University PressPrint publication year: 2021
References
Select Bibliography
Abbotson, S. C. W. Modern American Drama: Playwriting in the 1950s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Berkowitz, G. M. New Broadways: Theatre across America 1950–1980. Rowman and Littlefield, 1982.Google Scholar
McConachie, B. American Theater in the Culture of the Cold War: Producing and Contesting Containment 1947–1962. University of Iowa Press, 2003.Google Scholar
Murphy, B. Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television. Cambridge University Press, 1999.Google Scholar
Petigny, A. The Permissive Society: America, 1941–1965. Cambridge University Press, 2009.Google Scholar
Select Bibliography
Arons, W. “Sarah Ruhl.” In Listengarten, J. and Rosenthal, C. (eds.), Modern American Drama: Playwriting 2000–2009, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Black, C., and Friedman, S.. Modern American Drama: Playwriting in the 1990s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Grode, E. Hair: The Story of the Show That Defined a Generation. Running Press Books, 2010.Google Scholar
Harding, J. M., and Rosenthal, C. (eds.). The Sixties Center Stage: Mainstream and Popular Performances in a Turbulent Decade. University of Michigan Press, 2017.Google Scholar
Jones, C. Rise Up! Broadway and American Society from “Angels in America” to “Hamilton.” Bloomsbury Methuen, 2018.Google Scholar
Sell, M. Modern American Drama: Playwriting in the 1960s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Wolf, S. Changed for Good: A Feminist History of the American Musical. Oxford University Press, 2011.Google Scholar
Wollman, E. Hard Times: The Adult Musical in 1970s New York City. Oxford University Press, 2012.Google Scholar
Select Bibliography
Gardner, K. A. Agnes de Mille: Telling Stories in Broadway Dance. Oxford University Press, 2016.Google Scholar
Hirsch, F. Harold Prince and the American Musical Theatre. Cambridge University Press, 1989.Google Scholar
Kraut, A. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. Oxford University Press, 2015.Google Scholar
Select Bibliography
Delgado, M., and Svich, C. (eds.). Conducting a Life: Reflections on the Theatre of Maria Irene Fornes. Smith and Kraus, 1999.Google Scholar
Fliostos, A., and Vierow, W.. American Women Stage Directors of the Twentieth Century. University of Illinois Press, 2008.Google Scholar
Oumano, E. Sam Shepard: The Life and Work of an American Dreamer. St. Martin’s Press, 1986.Google Scholar
Parks, S.-L. “From Elements of Style.” In The America Play and Other Works. Theatre Communications Group, 1995.Google Scholar
Robinson, M. (ed.). The Theater of Maria Irene Fornes. Johns Hopkins University Press, 1999.Google Scholar
Shannon, S. G. Modern American Drama: Playwriting in the 1980s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Sweet, J. The O’Neill: The Transformation of Modern American Theater. Yale University Press, 2014.Google Scholar
Vanden Heuvel, M. Modern American Drama: Playwriting in the 1970s, Voices, Documents, New Interpretations. Bloomsbury Methuen, 2018.Google Scholar
Young, H. (ed.). The Cambridge Companion to African American Theatre. Cambridge University Press, 2012.Google Scholar