Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
30 - Adrienne Rich: The Poetry of Witness
Published online by Cambridge University Press: 05 November 2015
Edited by
Book contents
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- The Cambridge Companion to American Poets
- Copyright page
- Contents
- Notes on Contributors
- Book part
- Introduction
- 1 “The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor
- 2 Phillis Wheatley
- 3 The Historical Epic, Women’s Poetry, and Early American Verse
- 4 The Fire This Time: Longfellow, Lowell, Holmes, Whittier
- 5 Ralph Waldo Emerson
- 6 Edgar Allan Poe
- 7 Walt Whitman
- 8 Melville the Poet
- 9 Forever Young: Rereading Emily Dickinson in the Twenty-First Century
- 10 Paul Laurence Dunbar
- 11 Edwin Arlington Robinson
- 12 Robert Frost
- 13 Gertrude Stein
- 14 Wallace Stevens
- 15 William Carlos Williams
- 16 Ezra Pound
- 17 Marianne Moore
- 18 T. S. Eliot and American Poetry
- 19 Hart Crane’s Visionary Company
- 20 The New Negro Renaissance
- 21 Langston Hughes
- 22 Elizabeth Bishop
- 23 Gwendolyn Brooks
- 24 The Three Voices of Robert Lowell
- 25 The Black Mountain School
- 26 Jack Spicer
- 27 Allen Ginsberg: Irreverent, Reverential, and Apocalyptic American Poet
- 28 Anne Sexton, Sylvia Plath and Confessional Poetry
- 29 “Street Musicians”: Frank O’Hara and John Ashbery
- 30 Adrienne Rich: The Poetry of Witness
- 31 An “Empty Prescription”: Pleasure in Contemporary American Poetry
- Further Reading
- Index
- Series page
- References
- Type
- Chapter
- Information
- The Cambridge Companion to American Poets , pp. 409 - 424Publisher: Cambridge University PressPrint publication year: 2015
References
Further Reading
Bennett, Paula, My Life, A Loaded Gun: Female Creativity and Feminist Poetics (Boston: Beacon Press, 1986).Google Scholar
Cooper, Jane Roberta, ed., Reading Adrienne Rich: Reviews and Re-visions 1951–1981 (Ann Arbor: University of Michigan Press, 1984).CrossRefGoogle Scholar
Díaz-Diocaretz, Myriam, Translating Poetic Discourse: Questions on Feminist Strategies in Adrienne Rich (Philadelphia: Benjamins, 1985).CrossRefGoogle Scholar
Dickie, Margaret, Stein, Bishop, and Rich: Lyrics of Love, War, and Place (Chapel Hill: University of North Carolina Press, 1997).Google Scholar
Erkkila, Betsy, The Wicked Sisters: Women Poets, Literary History, and Discord (New York: Oxford University Press, 1992).CrossRefGoogle Scholar
Henneberg, Sylvia B., The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich (Columbia: University of Missouri Press, 2010).Google Scholar
Kalstone, David, Five Temperaments: Elizabeth Bishop, Robert Lowell, James Merrill, Adrienne Rich, John Ashbery (New York: Oxford University Press, 1977).Google Scholar
Keyes, Claire, The Aesthetics of Power: The Poetry of Adrienne Rich (Athens: University of Georgia Press, 1986).Google Scholar
Martin, Wendy, An American Triptych: Anne Bradstreet, Emily Dickinson, Adrienne Rich (Chapel Hill: University of North Carolina Press, 1984).Google Scholar
McDaniel, Judith, Reconstituting the World: The Poetry and Vision of Adrienne Rich (Argyle: Spinsters, Ink., 1978).Google Scholar
O’Reilly, Andrea, ed., From Motherhood to Mothering: The Legacy of Adrienne Rich’s Of Woman Born (Albany: State University of New York Press, 2004).CrossRefGoogle Scholar
Ratcliffe, Krista, Anglo-American Feminist Challenges to the Rhetorical Traditions: Virginia Woolf, Mary Daly, Adrienne Rich (Carbondale: Southern Illinois University Press, 1996).Google Scholar
Sielke, Sabine, Fashioning the Female Subject: The Intertextual Networking of Dickinson, Moore, and Rich (Ann Arbor: University of Michigan Press, 1997).CrossRefGoogle Scholar
Soghra, Nodeh, Towards Female Dreamland: Adrienne Rich’s Lifelong Literary Renewal (Saarbrücken, Germany: Lambert Academic Publishing, 2013).Google Scholar
Spender, Dale, Women of Ideas and What Men Have Done to Them: From Aphra Behn to Adrienne Rich (Boston: Routledge, 1982).Google Scholar
Templeton, Alice, The Dream and the Dialogue: Adrienne Rich’s Feminist Poetics (Knoxville: University of Tennessee Press, 1994).Google Scholar
Werner, Craig, Adrienne Rich: The Poet and Her Critics (Chicago: American Library Association, 1988).Google Scholar
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