Book contents
- The Cambridge Companion to American Horror
- The Cambridge Companion to American Horror
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction
- Part I Histories
- Part II Genres
- 7 Body Horror
- 8 Queer Horror
- 9 Folk Horror
- 10 Occult Horror
- 11 SF and the Weird
- 12 Monsters and Monstrosity
- Index
- Cambridge Companions To …
- References
10 - Occult Horror
from Part II - Genres
Published online by Cambridge University Press: 21 July 2022
- The Cambridge Companion to American Horror
- The Cambridge Companion to American Horror
- Copyright page
- Contents
- Acknowledgments
- Contributors
- Introduction
- Part I Histories
- Part II Genres
- 7 Body Horror
- 8 Queer Horror
- 9 Folk Horror
- 10 Occult Horror
- 11 SF and the Weird
- 12 Monsters and Monstrosity
- Index
- Cambridge Companions To …
- References
Summary
The “occult world,” or occulture, is a term that has developed a very wide meaning in modern academic discourse. The full panoply of occult thinking is enormous. While always mindful of the broader definition of the subject, this essay is largely limited to what the author believes would be an acceptable vernacular definition of the occult as essentially referring to black magic, and most especially to the satanic. This has been a subject with enormous resonance for American history and culture. The argument in this chapter is that Satan has played, and continues to play, a central – and on occasion a decisive – role in American cultural and political life. He is a figure deeply in the American grain, a vivid and personal presence in the lives of many millions of Americans, given powerful and recurring embodiment in American popular culture, in particular. But he is also a presence centrally informing some of the classic works of American literature.
Keywords
- Type
- Chapter
- Information
- The Cambridge Companion to American Horror , pp. 154 - 168Publisher: Cambridge University PressPrint publication year: 2022