Ariel Nereson spotlights choreography as an integral component of African American theatre, especially Black Broadway. Although she accounts for the long history of Black musicals, her chapter focuses on the contemporary work of choreographers Garth Fagan (The Lion King) and Camille A. Brown (Choir Boy, Cabin in the Sky). In addition to creating substantial employment opportunities for Black dance-artists, Black choreographers have redefined modern dance vocabularies and techniques through their inventive use of moment, embrace of Africanist elements, and skilful embodied storytelling to reflect Black experiences.