Book contents
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
The Egyptologist
- Frontmatter
- Dedication
- Epigraph
- Contents
- On Headed Paper
- The Built Environment
- Sub-architecture
- Bernini's Apollo and Daphne
- What Gretel Knows
- Katana
- Where the Swimming Pool Was
- A False Winter
- Tammasmass E'en
- Notes: A Monumental Brass
- Inscription
- Cambridge Primitive
- On Reading the Meaning of ‘Falchion’ in an Encyclopaedia
- Wish You Were Here
- Othona
- Potpourri
- The Animal in Motion
- Cartography for Beginners
- ‘Grasmere Lake’
- The Valley of the Stour with Dedham in the Distance
- The Henry Hudson Bridge
- New Battersea Bridge Nocturnes
- Wet Season
- Lecture
- Objection!
- A Stretch of River
- Difference
- Building
- The Egyptologist
- Cockle Shell Beach, Low Tide
- Labour
- Daphnia; or, The Water Flea
- In Praise of Pollen
- Four Seasons, St Giles Cripplegate
- Notes and Acknowledgments
Summary
I have succumbed to a curse that forces me to disappear.
—Hugh Evelyn WhiteI know of the joy that is in living; the sweet zeer of plainest water,
the sky like a woman on all fours, starred from navel to nipples.
I know the relief of the dawn, a cool cotton sheet pulled up and over,
the kindness of a breeze. I know how lucky we are to see
ourselves in everything, but bigger, stronger and forever—
though still subject to our moods. I stash treasure about me:
shade; old worlds; an alabaster, oviform box that I recall though
I cannot touch. Inside I will discover, finally, the secret
to feeling well. I know that though nothing is really numberless
I shall never exhaust all the riches to be found. I too would choose
to take the best parts with me. But I know it does not matter
how many walls, how few doors. I know I am coming for me.
I know the dead abandon all their wonderful things to the living.
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- Information
- The Built Environment , pp. 40Publisher: Liverpool University PressPrint publication year: 2018