Book contents
- The Bronze Horseman of Justinian in Constantinople
- The Bronze Horseman of Justinian in Constantinople
- Copyright page
- Contents
- Figures and Maps
- Tables
- Acknowledgements
- Abbreviations
- Note on Transliteration and Naming Conventions
- Selected Timeline of the Triumphal Column of Justinian and Its International Reverberations
- Map of Constantinople
- Introduction
- 1 Justinian’s Entry into Constantinople: He Came, He Saw, He Conquered
- 2 The Making of Justinian’s Forum
- 3 Defying a Defining Witness: the Bronze Horseman and the Buildings (De Aedificiis) of Prokopios
- 4 The Horseman of Baghdad Responds to the Horseman of Constantinople
- 5 Soothing Imperial Anxieties: Theophilos and the Restoration of Justinian’s Crown
- 6 Debating Justinian’s Merits in the Tenth Century
- 7 The Bronze Horseman and a Dark Hour for Humanity
- 8 The Horseman Becomes Heraclius: crusading Narratives of the Eleventh and Twelfth Centuries
- 9 From Exile in Nicaea to Restoration of Constantinople
- 10 A Learned Dialogue across the Ages: Pachymeres Confronts Prokopios
- 11 Orb-Session: Constantinople’s Future in the Bronze Horseman’s Hand
- 12 Justinian’s Column and the Antiquarian Gaze: a Centuries-Old “Secret” Exposed
- 13 A Timeless Ideal: Constantinople in Slavonic Imagination of the Fourteenth–Fifteenth Centuries
- 14 The Horseman Meets Its End
- 15 Horse as Historia, Byzantium as Allegory
- 16 Shadowy Past and Menacing Future
- 17 After the Fall: the Bronze Horseman and the Eternal Tsar’grad
- Postscript: the Horseman’s Debut in Print
- Select Bibliography
- Index
14 - The Horseman Meets Its End
Published online by Cambridge University Press: 08 April 2021
- The Bronze Horseman of Justinian in Constantinople
- The Bronze Horseman of Justinian in Constantinople
- Copyright page
- Contents
- Figures and Maps
- Tables
- Acknowledgements
- Abbreviations
- Note on Transliteration and Naming Conventions
- Selected Timeline of the Triumphal Column of Justinian and Its International Reverberations
- Map of Constantinople
- Introduction
- 1 Justinian’s Entry into Constantinople: He Came, He Saw, He Conquered
- 2 The Making of Justinian’s Forum
- 3 Defying a Defining Witness: the Bronze Horseman and the Buildings (De Aedificiis) of Prokopios
- 4 The Horseman of Baghdad Responds to the Horseman of Constantinople
- 5 Soothing Imperial Anxieties: Theophilos and the Restoration of Justinian’s Crown
- 6 Debating Justinian’s Merits in the Tenth Century
- 7 The Bronze Horseman and a Dark Hour for Humanity
- 8 The Horseman Becomes Heraclius: crusading Narratives of the Eleventh and Twelfth Centuries
- 9 From Exile in Nicaea to Restoration of Constantinople
- 10 A Learned Dialogue across the Ages: Pachymeres Confronts Prokopios
- 11 Orb-Session: Constantinople’s Future in the Bronze Horseman’s Hand
- 12 Justinian’s Column and the Antiquarian Gaze: a Centuries-Old “Secret” Exposed
- 13 A Timeless Ideal: Constantinople in Slavonic Imagination of the Fourteenth–Fifteenth Centuries
- 14 The Horseman Meets Its End
- 15 Horse as Historia, Byzantium as Allegory
- 16 Shadowy Past and Menacing Future
- 17 After the Fall: the Bronze Horseman and the Eternal Tsar’grad
- Postscript: the Horseman’s Debut in Print
- Select Bibliography
- Index
Summary
This chapter analyzes the fate of the horseman in the aftermath of the fall of Constantinople. Ottoman Sultan Mehmed II understood the horseman’s power and strove to neutralize it soon after entering the city. In the decades before 1453, it was also widely believed to have been an anti-Ottoman talisman. At some point between May of 1453 and spring 1456 Mehmed ordered the horseman to be removed from its column. I argue that this decision was made not only because of the great symbolic value of the monument in its own right, but also in order not to complicate the transformation of Hagia Sophia into a mosque. Justinian’s bronze horseman was decoupled from Hagia Sophia and sacrificed for the sake of the building’s cultural appropriation as the mosque of Aya Sofya. The horseman is absent from official Ottoman histories, but appears in the translations of the Narrative on the Construction of Hagia Sophia produced for Mehmed II. In this retelling, the talismanic horseman has become empty-handed. This was a decisive reorientation of the Byzantine narrative. Though Şemseddin Mehmed Karamani’s testimony that the horseman was melted down in the 1450s would appear to be conclusive, in the 1550s Pierre Gilles saw and measured fragments of the horseman.
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- The Bronze Horseman of Justinian in ConstantinopleThe Cross-Cultural Biography of a Mediterranean Monument, pp. 317 - 334Publisher: Cambridge University PressPrint publication year: 2021