‘The first poetess I can recollect is Mrs. Barbauld, with whose works I became acquainted—before those of any other author, male or female—when I was learning to spell words of one syllable in her story-books for children.’ So says Hazlitt in his lectures on living poets. He goes on to call her a very pretty poetess, strewing flowers of poesy as she goes.

The writer must needs, from the same point of view as Hazlitt, look upon Mrs. Barbauld with a special interest, having also first learnt to read out of her little yellow books, of which the syllables rise up one by one again with a remembrance of the hand patiently pointing to each in turn; all this recalled and revived after a lifetime by the sight of a rusty iron gateway, behind which Mrs. Barbauld once lived, of some old letters closely covered with a wavery writing, of a wide prospect that she once delighted to look upon. Mrs. Barbauld, who loved to share her pleasures, used to bring her friends to see the great view from the Hampstead hill-top, and thus records their impressions:—

‘I dragged Mrs. A. up as I did you, my dear, to our Prospect Walk, from whence we have so extensive a view.[…]