Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-22T10:36:07.348Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  06 January 2010

Peter Williams
Affiliation:
University of Wales College of Cardiff
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alain, Olivier, ‘Un supplément inédit aux Variations Goldberg de J. S. Bach’, Revue de musicologie 61/2 (1975), pp. 243–94CrossRefGoogle Scholar
Bach, Carl Philipp Emanuel, Versuch über die wahre Art das Clavier zu spielen, 2 (Berlin, 1753, 1762)
Beisswenger, Kirsten, ‘An Early Version of the First Movement of the Italian Concerto Wolfgang Schmieder, Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Bach-Werke-Verzeichnis. 2. überarbeitete und erweiterte Ausgabe (Wiesbaden: Breitkopf & Härtel, 1990) 971 from the Scholz Collection?’, in Daniel R. Melamed, ed., Bach Studies 2 (Cambridge: Cambridge University Press, 1995), pp. 1–19
Bloom, Harold, The Western Canon: The Books and School of the Ages (New York: Harcourt Brace, 1994)
Breig, Werner‘Bachs Goldberg-Variationen als zyklisches Werk’, Archiv für Musikwissenschaft 32 (1975), pp. 243–65CrossRefGoogle Scholar
Butler, Gregory, ‘The Engraving of J. S. Bach's Six Partitas’, Journal of Musicological Research 7 (1986), pp. 3–27CrossRefGoogle Scholar
Butler, Gregory ‘Neues zur Datierung der Goldberg-Variationen’, Bach-Jahrbuch 74 (1988), pp. 219–23
Butler, Gregory Bach's Clavier-Übung III: The Making of a Print (Durham, NC: Duke University Press, 1990)
Dähnert, Ulrich, Der Orgel-und Instrumentenbauer Zacharias Hildebrandt (Leipzig: Breitkopf & Härtel, 1962)
Elster, Peter, ‘Anmerkungen zur Aria der sogenannten Goldbergvariationen Wolfgang Schmieder, Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Bach-Werke-Verzeichnis. 2. überarbeitete und erweiterte Ausgabe (Wiesbaden: Breitkopf & Härtel, 1990) 988. Bachs Bearbeitung eines französischen Menuetts’, in Winfried Hoffmann and Armin Schneiderheinze, eds., Bericht über die Wissenschaftliche Konferenz zum V. Internationalen Bachfest 1985 (Leipzig: DVfM, 1988), pp. 259–67
Emery, Walter, in Neue Bach-Ausgabe. Johann Sebastian Bach. Neue Ausgabe sämt licher Werke. Herausgegeben vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig (Leipzig/Kassel: DVfM/Bärenreiter, 1954–) vol. V/2 Johann Sebastian Bach Neue Ausgabe sämtlicher Werke vol. V/2 (1981), Kritischer Bericht, ed. Walter Emery and Christoph Wolff, pp. 137ff., 141, 143f
Forkel, J[ohann] N[ikolaus], Über Johann Sebastian Bachs Leben, Kunst und Kunstwerke. Für patriotische Verehrer echter musikalischer Kunst (Leipzig: Hoffmeister & Kühnel, 1802)
Hawkins, John, A General History of the Science and Practice of Music, III (London: Payne, 1776), pp. 256–58
Hilgenfeldt, C[arl] L[udwig], Johann Sebastian Bach's Leben, Wirken und Werke (Leipzig: Hofmeister, 1850), appendices
Humphreys, David, ‘More on the Cosmological Allegory in Bach's Goldberg Variations’, Soundings 12 (1984–5), pp. 25–45Google Scholar
Jerger, Wilhelm, ed., The Piano Master Classes of Franz Liszt 1884–1886 (Bloomington, IN: Indiana University Press, 1996)
Kindermann, William, Beethoven's Diabelli Variations (Oxford: Clarendon, 1987)
Kindermann, William, ed., ‘Bach und Beethoven’, in Michael Heinemann and Hans-Joachim Hinrichsen, eds., Bach und die Nachwelt, I (Laaber: Laaber Verlag, 1997), pp. 351–77
Kobayashi, Yoshitake, ‘Zur Chronologie der Spätwerke Johann Sebastian Bachs. Kompositions-und Aufführungstätigkeit von 1736 bis 1750’, Bach-Jahrbuch 74 (1988), pp. 7–72Google Scholar
Plantinga, Leon B., Schumann as Critic (New York: Da Capo, 1976)
Quantz, Johann Joachim, Versuch einer Anweisung, die Flöte traversière zu spielen (Berlin, 1752)
Rosen, Charles, The Classical Style: Haydn, Mozart, Beethoven (New York: Norton, 1972)
Schulenberg, David, The Keyboard Music of J. S. Bach (New York: Schirmer, 1992)
Schulze, Hans-Joachim, ‘Melodiezitate und Mehrtextigkeit in der Bauern-kantate und in den Goldbergvariationen’, Bach-Jahrbuch 62 (1976), pp. 58–72Google Scholar
Schulze, Hans-Joachim ‘Notizen, zu Bachs Quodlibets’, Bach-Jahrbuch 80 (1994), pp. 171–5
Spitta, Philipp, Johann Sebastian Bach, 2 vols. (Leipzig: Breitkopf, 1873, 1880)
Street, Alan, ‘The Rhetorico-musical Structure of the “Goldberg” Variations: Bach'sClavierübung IV and the Institutio oratoria of Quintilian’, Music Analysis 6 (1987), pp. 89–131Google Scholar
Tomita, Yo, ‘Bach and his Early Drafts’, BACH Journal of the Riemenschneider Bach Institute 30/2 (1999), pp. 49–72Google Scholar
Tovey, Donald Francis, ‘Bach: Goldberg Variations’, Essays in Musical Analysis: Chamber Music, ed. Hubert J. Foss (London: Oxford University Press, 1944), pp. 28–73
Vickers, Brian, In Defence of Rhetoric (Oxford: Clarendon, 1988)
Williams, Peter, The Organ Music of J. S. Bach, vol. I: Preludes [etc.] (Cambridge: Cambridge University Press, 1980)
Wolff, Christoph, ‘Bach's Handexemplar of the Goldberg Variations: A New Source’, Journal of the American Musicological Society 29 (1976), pp. 224–41CrossRefGoogle Scholar
Wolff, Christoph, Bach: Essays on his Life and Music (Cambridge, MA: Harvard University Press, 1991), pp. 162ff., 189ff., 347ff
Zenck, Martin, ‘“Bach, der Progressive”. Die Goldberg-Variationen in der Perspektive von Beethovens Diabelli-Variationen’, Musik-Konzepte 42 (1985), pp. 29–92Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Peter Williams, University of Wales College of Cardiff
  • Book: Bach: The Goldberg Variations
  • Online publication: 06 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511606007.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Peter Williams, University of Wales College of Cardiff
  • Book: Bach: The Goldberg Variations
  • Online publication: 06 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511606007.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Peter Williams, University of Wales College of Cardiff
  • Book: Bach: The Goldberg Variations
  • Online publication: 06 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511606007.007
Available formats
×