The landmark texts of Asian American literature from the mid-twentieth century have often been classified as realist. Presenting “real-life” depictions of Japanese American incarceration during World War II and the immigrant experience, for instance, Asian American writing of the time is known for its referentiality to historical events. Recently, however, literary critics have sought to redefine the genre of realism, which has also led to a reconsideration of how canonical Asian American literature represented the deeper structure of Asian American life from 1930 to 1965. This chapter traces how Asian American literary critics have offered a more theoretically complex approach to realism in order to help draw out richer understandings of the way Asian American literature has articulated Asian American social experience. In addition, this entry provides brief readings of classic Asian American texts, notably John Okada’s No-No Boy and Carlos Bulosan’s America Is in the Heart, through a realist frame.