Book contents
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- 3 Defining Terms
- 4 Varietas as an Esthetic Paradigm
- 5 Tinctoris Knew the Repertoire
- 6 Pieces Exemplifying Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
5 - Tinctoris Knew the Repertoire
from Part II - Tinctoris’s Varietas
Published online by Cambridge University Press: 05 December 2024
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- 3 Defining Terms
- 4 Varietas as an Esthetic Paradigm
- 5 Tinctoris Knew the Repertoire
- 6 Pieces Exemplifying Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
Summary
Tinctoris was among the first music theorists to back up his points with citations of many polyphonic works. Chapter 5 takes another look at these well-studied examples, not for the sake of the theoretical ideas Tinctoris uses them to support, but to ask how deeply he knew the music in question. The central claim is that Tinctoris, himself an accomplished composer, had intimate knowledge of contemporary repertoire.
Keywords
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- Information
- The Art of Counterpoint from Du Fay to Josquin , pp. 103 - 112Publisher: Cambridge University PressPrint publication year: 2024