The ekphrastic play with verbal and iconic representations reveals that not only literature but also pictures can effect apatē. Chapter 9 is devoted to a piece of early Christian apologetic writing that cashes in on the ambiguity of apatē for an assault against pagan idolatry. Clement’s Protrepticus, an interesting document for the multifaceted attempts of the early Christians to negotiate the relation of their faith with pagan culture, is couched in the language and imagery of the culture it is criticizing; it not only takes up specific theories of perception, but also knowingly transfers the aesthetics of deception from poetry to pictures. While other apologetes assume that demons instrumentalize statues for their deception, Clement makes the capacity of iconic representation for deception itself a cornerstone of his deconstruction of pagan modes of viewing.