Book contents
- Frontmatter
- Contents
- Notes on Contributors
- EDITORIAL ARTICLE
- ARTICLES
- Visual Activism: A Look at the Documentary Born This Way
- African Queer, African Digital: Reflections on Zanele Muholi's Films4peace & Other Works
- To Revolutionary Type Love: An Interview with Kawira Mwirichia, Neo Musangi, Mal Muga, Awuor Onyango, Faith Wanjala & Wawira Njeru
- Liminal Spaces & Conflicts of Culture in South African Queer Films: Inxeba (The Wound)
- Gay, African, Middle-Class & Fabulous: Writing Queerness in New Writing from Nigeria & South Africa
- The City as a Metaphor of Safe Queer Experimentation in Monica Arac de Nyeko's ‘Jambula Tree’ & Beatrice Lamwaka's ‘Pillar of Love’
- Homosexuality & the Postcolonial Idea: Notes from Kabelo Sello Duiker's The Quiet Violence of Dreams
- A Warm, Woolly Silence: Rethinking Silence through T.O. Molefe's ‘Lower Main’ & Monica Arac de Nyeko's ‘Jambula Tree’
- Breaking/Voicing the Silence: Diriye Osman's Fairytales for Lost Children
- Reading for Ruptures: HIV & AIDS, Sexuality & Silencing in Zoë Wicomb's ‘In Search of Tommie’
- Queer Temporalities & Epistemologies: Jude Dibia's Walking with Shadows & Chinelo Okparanta's Under the Udala Trees
- Dilemma of an African Woman Faced with Bisexuality: A Reading of Armand Meula's Coq mâle, coq femelle
- FEATURED ARTICLES
- LITERARY SUPPLEMENT
- TRIBUTE
- REVIEWS
Reading for Ruptures: HIV & AIDS, Sexuality & Silencing in Zoë Wicomb's ‘In Search of Tommie’
from ARTICLES
Published online by Cambridge University Press: 25 March 2020
- Frontmatter
- Contents
- Notes on Contributors
- EDITORIAL ARTICLE
- ARTICLES
- Visual Activism: A Look at the Documentary Born This Way
- African Queer, African Digital: Reflections on Zanele Muholi's Films4peace & Other Works
- To Revolutionary Type Love: An Interview with Kawira Mwirichia, Neo Musangi, Mal Muga, Awuor Onyango, Faith Wanjala & Wawira Njeru
- Liminal Spaces & Conflicts of Culture in South African Queer Films: Inxeba (The Wound)
- Gay, African, Middle-Class & Fabulous: Writing Queerness in New Writing from Nigeria & South Africa
- The City as a Metaphor of Safe Queer Experimentation in Monica Arac de Nyeko's ‘Jambula Tree’ & Beatrice Lamwaka's ‘Pillar of Love’
- Homosexuality & the Postcolonial Idea: Notes from Kabelo Sello Duiker's The Quiet Violence of Dreams
- A Warm, Woolly Silence: Rethinking Silence through T.O. Molefe's ‘Lower Main’ & Monica Arac de Nyeko's ‘Jambula Tree’
- Breaking/Voicing the Silence: Diriye Osman's Fairytales for Lost Children
- Reading for Ruptures: HIV & AIDS, Sexuality & Silencing in Zoë Wicomb's ‘In Search of Tommie’
- Queer Temporalities & Epistemologies: Jude Dibia's Walking with Shadows & Chinelo Okparanta's Under the Udala Trees
- Dilemma of an African Woman Faced with Bisexuality: A Reading of Armand Meula's Coq mâle, coq femelle
- FEATURED ARTICLES
- LITERARY SUPPLEMENT
- TRIBUTE
- REVIEWS
Summary
Although Cape Town is one of the epicentres of the HIV/AIDs pandemic, it was not until 1999 that Capetonian writers took on this devastating subject. Ten years later, in her only story featuring HIV infection, Zoë Wicomb weaves the taboo subject into ‘In Search of Tommie’ a story of last days and the search for identity and meaning. It is the first story by a South African author to represent the life of an HIV-positive gay black African man (from Langa). HIV is silenced in the story, not only in the sense that it is not spoken about out loud, particularly by the protagonist TS himself, but also in the sense that between the differently related characters: TS and his mother, TS and his half-sister, TS and his sometime boyfriend, Joe, the word is not used. In two other texts from Cape Town, Rayda Jacobs's novel Confessions of a Gambler and Derrick Fine's non-fiction Clouds Move, HIV has a very different volume and significance. For the purposes of this article, both Jacobs's and Fine's texts feature as points of comparison to demonstrate the level of silencing of HIV/AIDS in South African literature, especially in relation to the cosmopolitan Cape in which they are all set. In addition to a comparative reading, this article also focuses on the differences between depicting gay characters in fiction and non-fiction.
In ‘In Search of Tommie’ TS alludes to his illness while narrating the story of his ‘vark’ (pig) father, Tommie, who left his mother and had another child in England. TS shares his father's name but refuses the identification until his story returns to him in the form of a semifictionalised autobiography written by an English woman who could be his half-sister. Allusions to T.S. Eliot and other literary references are thrown into the story by his latter day boyfriend or partner Joe who provides TS with part of his identity as a moffie and leads him to contact his potential relative, Chris, in England. It is only through TS and Joe's relationship that TS is able to contact Chris in the UK after reading her book as suggested by his ex-boyfriend.
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- Information
- ALT 36: Queer Theory in Filmand FictionAfrican Literature Today 36, pp. 135 - 150Publisher: Boydell & BrewerPrint publication year: 2018