Book contents
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- List of Abbreviations
- Preface
- Part I Space and Materiality in the Realm of Allegorical Romance
- Part II Architectural Space and the Status of the Object in The Faerie Queene
- Part III Beleaguered Spaces
- Part IV The Physical and Allegorized Landscape
- 8 Deforestation and the Spenserian Wood
- 9 The Houses of the Poor
- Conclusion
- Bibliography
- Index
- Studies in Renaissance Literature
9 - The Houses of the Poor
from Part IV - The Physical and Allegorized Landscape
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- List of Abbreviations
- Preface
- Part I Space and Materiality in the Realm of Allegorical Romance
- Part II Architectural Space and the Status of the Object in The Faerie Queene
- Part III Beleaguered Spaces
- Part IV The Physical and Allegorized Landscape
- 8 Deforestation and the Spenserian Wood
- 9 The Houses of the Poor
- Conclusion
- Bibliography
- Index
- Studies in Renaissance Literature
Summary
No sooner does Florimell appear at the beginning of the third book of The Faerie Queene than she is chased out of sight again by a ‘griesly Foster’, and then immediately by Prince Arthur and Sir Guyon, who set off in pursuit behind her, and behind the man attacking her. When she manages at last to evade her pursuers and to stop to rest, she finds herself on a hillside, overlooking a valley, where she spots a thin column of smoke rising through the trees. Taking this as a ‘chearefull signe […] | That in the same did wonne some liuing wight’ (III.vii.5.4–5), she makes her way in that direction:
There in a gloomy hollow glen she found
A little cottage, built of stickes and reedes
In homely wize, and wald with sods around,
In which a witch did dwell, in loathly weedes,
And wilfull want, all carelesse of her needes,
So choosing solitarie to abide,
Far from all neighbours, that her diuelish deedes
And hellish arts from people she might hide,
And hurt far off vnknowne, whom euer she envide.
(III.vii.6)The palaces of monarchs and nobles are not the only houses in The Faerie Queene. The hovel which Florimell discovers is an example of the poor dwellings which appear at many points in the poem, but much less frequently in writing about it. The description of the witch's hut as ‘homely’ seems to denote humble poverty rather than comfortable and modest plainness, especially since she is discovered sitting straight on the ‘dustie ground’ (III.vii.7.5).
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- Publisher: Boydell & BrewerPrint publication year: 2006