Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- Introduction: Kenyan and Nigerian Writers in the Digital Age
- 1 Network Thinking: Literary Networks in the Digital Age
- 2 Class and Poetry in the Digital Age
- 3 Class Consciousness in Online Fictions
- 4 Digital Queer: The Queering of African Literature
- 5 Middle-Class, Transnational, Queer, and African
- 6 ‘Ashewo no be job’: The Figure of the Modern Girl in the Digital Age
- 7 The Erotic in New Writing from Nigeria
- 8 Social Media and the Aesthetics of the Quotidian
- Conclusion: Connecting the Dots
- Bibliography
- Index
- Miscellaneous Endmatter
Conclusion: Connecting the Dots
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- Introduction: Kenyan and Nigerian Writers in the Digital Age
- 1 Network Thinking: Literary Networks in the Digital Age
- 2 Class and Poetry in the Digital Age
- 3 Class Consciousness in Online Fictions
- 4 Digital Queer: The Queering of African Literature
- 5 Middle-Class, Transnational, Queer, and African
- 6 ‘Ashewo no be job’: The Figure of the Modern Girl in the Digital Age
- 7 The Erotic in New Writing from Nigeria
- 8 Social Media and the Aesthetics of the Quotidian
- Conclusion: Connecting the Dots
- Bibliography
- Index
- Miscellaneous Endmatter
Summary
In exploring African literature and allied creative works in cyberspace, we get to see the power structures in literature, within both local and global contexts. The discussion on literary networks provides a useful starting point in thinking about the dynamics of power: how it is conceived, how it is used and how it is structured. As scholars like Nyabola and Jagoda remind us: networks are not just useful metaphors for understanding global structures nor are they merely technological infrastructures that drive the information age, the world also operates as a series of interconnected, diverse communities of people. Some, of course, have more visibility than others. Within network thinking, the analysis of literary developments and the application of data from history and current affairs can be used to study what sociability in the context of African literature tells us about marginalisation and power. We can see the people who exerted influence in one way or another on African societies through their engagements with literature in particular, and the arts in general.
In African Literature in the Digital Age, we see the way in which some emerging and established voices are using literature that is published online to affirm their identity and literary heritage, by reprising the role of orature in the precolonial era through the use of new media technology. Unlike in the precolonial era, texts can now be stored and transmitted through different digital mediums. And texts are not merely spoken and written words, but they encompass audio-visual elements and are more immediate and interactive. With millions of Africans online on computers and with several millions more on mobile phones, we see how African literature in cyberspace is capitalising on this embrace of digital technologies. The literature that is coming out of the digital space suggests that many writers want a closer interaction between writers and readers of literature in a way that would have been impossible in the book age. Through literature, African cyberspace has become a site where all kinds of discussion and interaction between readers and writers can take place. Poetry and fiction in the online space become gathering points for the digital community to discuss shared history and contemporary experience.
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- African Literature in the Digital AgeClass and Sexual Politics in New Writing from Nigeria and Kenya, pp. 165 - 172Publisher: Boydell & BrewerPrint publication year: 2021