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Jean-Gaspard Deburau: Romantic Pierrot
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- Journal:
- New Theatre Quarterly / Volume 30 / Issue 2 / May 2014
- Published online by Cambridge University Press:
- 07 May 2014, pp. 107-119
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- May 2014
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3 - No place for Harlequin
- from Part I - The ballet d'action in historical context
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 62-83
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Acknowledgements
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp ix-x
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1 - The voice and the body in the Enlightenment
- from Part I - The ballet d'action in historical context
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 9-37
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Index
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 324-326
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Frontmatter
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp i-vi
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Introduction
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 1-6
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6 - Dialogues in mime
- from Part II - The ballet d'action in close-up
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 140-161
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4 - Decroux and Noverre
- from Part I - The ballet d'action in historical context
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 84-112
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Select bibliography
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 305-323
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2 - A revival of ancient pantomime?
- from Part I - The ballet d'action in historical context
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 38-61
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A note on references
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp xi-xii
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Contents
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 21 July 2011, pp vii-viii
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Part II - The ballet d'action in close-up
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 113-114
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5 - Character and action
- from Part II - The ballet d'action in close-up
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 115-139
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9 - Putting performance into words
- from Part II - The ballet d'action in close-up
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 208-228
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Appendix
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 233-304
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Part I - The ballet d'action in historical context
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 7-8
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7 - Choreography is painterly drama
- from Part II - The ballet d'action in close-up
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 162-184
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Conclusions
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- Mime, Music and Drama on the Eighteenth-Century Stage
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- 05 July 2011
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- 21 July 2011, pp 229-232
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