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from Part II - The ballet d'action in close-up
Published online by Cambridge University Press: 05 July 2011
A two-line review in the London Times of an unnamed work encapsulates the bizarre subject of dialogue in the ballet d'action. ‘The dialogue of the new pantomime, says a morning paper, is but mediocre – The truth is not a word of dialogue has been yet written for it.’ The reviewer was obviously bemused by the tendency of his journalist colleagues to refer to ‘dialogue’ in a mute, non-verbal performance. His puzzlement is understandable, since, of all the dramatic attributes of the ballet d'action, dialogue is the most problematic.
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