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Published online by Cambridge University Press: 05 July 2011
Anon., ‘Parodie sur les Caractères de la Danse’, Le Mercure, July 1721, pp. 65–72.
Charles Le Picq, Il Ratto delle Sabine, performed after the first act of the opera Il Gran Cid, Real Teatro di S. Carlo, 12 January 1780; programme printed Naples, Vincenzo Flauto, 1780.
Gasparo Angiolini, Le Roi et le Fermier, Ballet Héroï-Comique, performed Vienna, April 1774; programme published Vienna 1774.
Franz Hilverding, Les Amants Protégés par l'Amour, Ballet Pantomime, first performed Vienna, Burgtheater, 1765; programme published Vienna, Jean-Thomas de Trattnern, 1765.
[Parody of Angiolini's Sémiramis, by Ange Goudar], in Lettre de Madame Sara Goudar sur le Carnaval de Toscane à Monsieur L*** (n.p., n.p., 1776), pp. 20–24.
La Fille Mal Gardée, ou Il n'est qu'un Pas du Mal au Bien, Ballet-Comique-Pantomime, en Deux Actes; De la Composition de M. Dauberval. Remis en Scène par M. Eugène-Hus. Représenté, à Paris, sur le Théâtre de la Porte-Saint-Martin (ci-devant Opéra) le 20 Vendemiaire an XII (Paris: Fages, 1803).
Jean-Georges Noverre, Agamemnon Vengé, Ballet Tragique en Cinq Actes, Exécuté sur les Théatres de Vienne en 1772, in Noverre, Recueil de Programmes de Ballets de M. Noverre, Maître des Ballets de la Cour Impériale et Royale (Vienna: Joseph Kurzböck, 1776), pp. 22–68.
Jean-Benjamin de La Borde, ‘Ballet Pantomime’ [Médée et Jason], from Ismène et Isménias (Paris: Lemarchand, 1770), Act II, scene 5.
Original spelling and punctuation have been retained, but printing errors have been silently corrected. To item viii, La Borde's ‘Ballet Pantomime’, have been added (in modern type) annotations from the manuscript rehearsal score (Médée et Jason, Paris, Bibliothèque de l'Opéra de Paris, ms A.236.a) where they are different from those on the engraved score. Bar numbers and orchestration have also been added for ease of reference.
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