The chapter explores the ways in which Clare’s sense of personal identity and selfhood is first created, and then fashioned and influenced, by the many differing pressures brought to bear upon it. Such pressures include poetic antecedents, social and economic conditions, literary associations and relationships, as well as the more personal features of an upbringing rooted in the natural world, which is authoritative and confirming, and an internal world, which is increasingly fragile and unstable. The chapter traces these evolutions – from the earliest verse that Clare wrote to the last poems of his asylum years.

Lucas L. Schulte analyzes “The Book of Isaiah in the Persian Period.” This was a crucial time in the book’s overall development. He shows how Persian emperors were able to enlist scribal elites in various subject nations and win their support. The well-known Cyrus Cylinder from Babylon may be the most prominent example, but Isa 40–66 also reflects its own interpretation of this international Persian Royal Propaganda Model. This chapter also shows how the later parts of the book of Isaiah interacted with religious and sociopolitical issues in the postexilic Persian province, comparing and contrasting it with the viewpoints of Ezra and Nehemiah in particular.

J. Blake Couey, in “Isaiah as Poetry,” begins with the basic fact that nearly all of the book is written as poetry and encourages readers to approach it as such. He surveys its erudite vocabulary, its creative use of sound, and its parallelism and larger strophic structures. He closes with an extended appreciation of the “imaginative worlds” evoked in the book through the use of imagery and metaphors. He observes of its poetic vision that “its scope is nearly boundless.”

Since the early nineteenth century, critics have noted John Clare’s unusually attentive eye for animals. From his earliest published pieces to the final poems transcribed from manuscripts in Northampton Asylum, Clare’s poetry is packed with animal life. This piece closely reads two sonnets from the middle of his career to investigate the breadth and complexity of his engagement with multiple non-human modes of being. It then turns to a representative range of other examples from his work and touches briefly upon critical analogies drawn between the poet and the non-human creatures about which he writes. The piece focuses repeatedly on the variety in Clare’s representations of animals and the consequent difficulty of drawing singular critical conclusions from them. In the process, it explores tensions in Clare’s poetry between themes of interconnection and alienation, freedom and confinement, profusion and scarcity, resilience and fragility, and exposure and agency.

This chapter explores the interplay between identification and distance that Lucian sets up for his readers in relationship to the speaking characters in the Dialogues of the Courtesans. While readers are, at times, invited to identify with the plights of these ‘others’ as partners in restrictive power structures, at other times, the otherness of the courtesans is emphasised through female verbal markers, female-specific cults, and women-only sexuality. Again and again, the subjectivity of the courtesan is offered to the reader, only to be withdrawn from their grasp. And, in fact, in its current form, the collection begins with a soldier and ends with a virgin – the courtesan managing to slip away. Lucian’s play with the courtesan’s subjectivity leaves his readers full of suspicions about intentional misdirection, both by the characters within the stories and by the author Lucian himself.

“The Book of Isaiah and the Neo-Babylonian Period” by Lena-Sofia Tiemeyer investigates the “black hole” in the book that is the Babylonian Exile from three perspectives. First, it analyzes how the Book of Isaiah conceptualizes Babylon. It demonstrates how the Isaianic authors sought to underscore Babylon’s weakness and transitory existence, and aimed to assert that its demise was the result of Yhwh’s supremacy over Babylon’s own deities. Second, it challenges the dating of those texts in Isaiah that are traditionally assigned to the Neo-Babylonian period. References to Babylonian customs and religious traditions, polemic against Babylon, and support of Cyrus should not be used without reflection as dating criteria. Third, it argues that the material in Isa 40–55, traditionally assumed to have been written in Babylon because of its familiarity with Babylonian matters, rather reflects the kind of general knowledge that the people living in the shadow of the Neo-Babylonian Empire would be expected to have.

One of the ways in which artificial intelligence can be a useful tool in the scientific study of religion is in developing a computational model of how the human mind is deployed in spiritual practices. It is a helpful first step to develop a precise cognitive model using a well-specified cognitive architecture. So far, the most promising architecture for this purpose is the Interacting Cognitive Subsystems of Philip Barnard, which distinguishes between two modes of central cognition: intuitive and conceptual. Cognitive modelling of practices such as mindfulness and the Jesus Prayer involves a shift in central cognition from the latter to the former, though that is achieved in slightly different ways in different spiritual practices. The strategy here is to develop modelling at a purely cognitive level before attempting full computational implementation. There are also neuropsychological models of spiritual practices which could be developed into computational models.

This chapter comprehensively lays out all the possible ways that artificial intelligence (AI) might interact with Jewish sources as their relationship develops over the next many years. It divides the scope of the relationship into three parts. First, it engages with questions of moral agency and their potential interactions with Jewish law, and suggests that this path, while enticing, may not be particularly fruitful. Second, it suggests that Jewish historical sources generally distinguish human value from human uniqueness, and that there is therefore quite a bit of room to think of an AI as a person, if we so choose, without damaging the value of human beings. Finally, it considers how Jewish thought might respond to AI as a new height of human innovation, and how the human–AI relationship shares many characteristics with the God–human relationship as imagined in Jewish sources.

In “Impressions of Isaiah in Classical Rabbinic Literature,” Joshua Ezra Burns surveys the reception of Isaiah in postbiblical Jewish culture. Focusing on the works and folkways of the rabbinic sages, the author illustrates how early Jewish interpreters understood the book of Isaiah as a testament to the life and vocation of its ancient namesake and as a source of reassurance for future generations of Jews. Innocent of contemporary science concerning his book’s composition, the sages portrayed Isaiah as a brash prophet of unmatched visionary ability who foretold the destruction of the first Jerusalem Temple and its restoration with uncanny accuracy. The fulfillment of his visions made Isaiah’s prophecies valuable resources for liturgies, homilies, and other rabbinic literary compositions expressing hope in another national revival led by their long-promised Messiah following the loss of the second Jerusalem Temple and subjection of the Jews to Christian imperialism.

Lucian is an author inextricably connected to prose. In this chapter, I argue that poetry is a crucial and overlooked aspect of his literary identity. After an initial account of the striking presence of poetry in Lucian’s oeuvre and in wider Second Sophistic intellectual production, which operates beneath and beyond statements of disdain and disavowal, I turn to a close examination of three very different pieces of Lucian’s verse writing – from remixed tragic and epic ‘quotations’ in the Menippus and Zeus Tragoedus, to the ghostly new Homeric compositions in the True Histories – and highlight some key features of a Lucianic poetics. I ultimately suggest how this poetics articulates Lucian’s wider approach to the literary tradition, and his perception of his own role in continuing it. Lucian’s new-old verse provides him with a self-constructed mandate to reanimate the genres and conventions of the inherited past, to deflate them, disrupt them, and ultimately repossess them.

This chapter examines Clare’s place among the poets in his own lifetime and more recently. The first section considers his appeal to recent and contemporary poets such as Heaney and Paulin. It argues that they have been inspired by Clare’s commitment to the local and provincial, especially his use of local vernacular, and also by his aesthetic of the uncouth and rebarbative, which also influenced Thomas. It goes on to explore how Clare’s close sensory attention to the natural world influenced Thomas, Longley, Oswald, and Jamie.  The second section argues that Clare’s poetry developed in conversation with his wide reading. It focuses on a number of examples, including Collins, Cowper, and Thomson. Reading these poets alongside and through Clare we see new features of their writing emerge, giving us a richer, more dynamic sense of eighteenth-century verse, and of Clare’s poetry.

This chapter explores the relationship between John Clare’s writing and the evolving discipline of ecocriticism which, in its broadest terms, treats literature as a representation of the physical world and the reader as a mediator between these complex environments. Clare’s work was central to the early ecocritical canon of the 1990s and continues, in more recent years, to shape our understanding of how and why environmental writing matters, particularly in a context of ecological despoliation, species extinction, and global warming. That Clare’s resolutely local voice and perspective should be at all relevant to an understanding of our broader world speaks to the challenge that he poses to modern readers by the example of his own relation to natural otherness. That relation, exemplified in poems such as ‘The Nightingales Nest’, is predicated on habits of attention and self-circumscription, a sequence by which the poet as ecological actor evokes the experience of coexistence.

Technology has been an integral part of biological life since the inception of terrestrial life. Evolution is the process by which biological life seeks to transcend itself in pursuit of more robust life. This chapter examines transhumanism as the use of technological means to enhance human biological function. Transhumanists see human nature as a work in progress and suggest that by responsible use of science, technology and other rational means, we shall become beings with vastly greater capacities and unlimited potential. Transhumanism has religious implications.