Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 5
Postcritical Listening: Political affordances in participatory sound art
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- Published online by Cambridge University Press:
- 30 November 2020, pp. 353-361
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- Cited by 5
Editorial
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- Published online by Cambridge University Press:
- 25 October 2010, pp. 183-184
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- Cited by 5
The Icebreaker: Soundscape works as everyday sound art
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- 26 March 2009, pp. 83-88
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- Cited by 5
Ethical Questions about Working with Soundscapes
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- 30 June 2016, pp. 160-165
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- Cited by 5
Musique Concrète Today: Its reach, evolution of concepts and role in musical thought
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- 05 March 2015, pp. 51-59
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Form and referential citation in a work by Francis Dhomont
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- Published online by Cambridge University Press:
- 01 April 1996, pp. 29-41
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- Cited by 5
Analysis/synthesis comparison
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- 23 July 2001, pp. 173-189
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Using a Sonic Time-Lapse Method as a Compositional Tool
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- 06 August 2020, pp. 198-204
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- Cited by 5
The Mobile Device: A new folk instrument?
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- 12 November 2013, pp. 299-305
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Between, Within and Across Cultures
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- 25 June 2008, pp. 141-152
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Textons and the Propagation of Space in Acousmatic Music
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- 25 February 2011, pp. 14-26
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Which Aural Skills are Necessary for Composing, Performing and Understanding Electroacoustic Music, and to what Extent are they Teachable by Traditional Aural Training?
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- 02 December 2009, pp. 299-309
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Alien intimacies: hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous’)
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- 24 September 2002, pp. 45-49
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On Designing, Composing and Performing Networked Collective Interactions
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- 22 December 2021, pp. 333-339
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Sound Pedagogy: Teaching listening since Cage
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- 07 July 2015, pp. 222-230
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Electroacoustic preservation projects: how to move forward
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- Published online by Cambridge University Press:
- 07 June 2004, pp. 55-62
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‘Nature’ as an Organising Principle: Approaches to chance and the natural in the work of John Cage, David Tudor and Alvin Lucier
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- 06 July 2010, pp. 133-136
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The aesthetics of computer music: a questionable concept reconsidered
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- 23 July 2001, pp. 119-126
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Sound Art (?) on/in Film
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- 26 March 2009, pp. 65-73
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Designing Musical Games for Electroacoustic Improvisation
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- 20 August 2021, pp. 78-88
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