Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
From Physical to Spiritual: Defining the practice of embodied sonic meditation
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- Published online by Cambridge University Press:
- 30 November 2020, pp. 307-320
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- Cited by 4
Electronic music and life
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- Published online by Cambridge University Press:
- 07 June 2004, pp. 3-6
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- Cited by 4
Animating the Object: Marcelle Deschênes and acousmatic education in Quebec
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- Published online by Cambridge University Press:
- 24 November 2017, pp. 385-393
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- Cited by 4
Materiality in Sound Art
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- Published online by Cambridge University Press:
- 21 December 2018, pp. 225-234
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- Cited by 4
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds
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- Published online by Cambridge University Press:
- 26 April 2022, pp. 35-42
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- Cited by 4
Paradigm Shifts and Electroacoustic Music: Some personal reflections
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- Published online by Cambridge University Press:
- 05 March 2015, pp. 105-110
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Communicative contract analysis: an approach to popular music analysis
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- Published online by Cambridge University Press:
- 29 February 2008, pp. 41-50
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- Cited by 4
Workshopping Participation in Music
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- Published online by Cambridge University Press:
- 12 November 2013, pp. 282-291
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- Cited by 4
The Media Archaeological Repairman*
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- 12 November 2013, pp. 255-265
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- Cited by 4
Investigating Sound in Space: Five meanings of space in music and sound art*
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- Published online by Cambridge University Press:
- 07 July 2015, pp. 241-248
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- Cited by 4
Musical Borrowing in Sonification
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- Published online by Cambridge University Press:
- 24 September 2019, pp. 184-194
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- Cited by 4
A review of time–frequency representations, with application to sound/music analysis–resynthesis
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- Published online by Cambridge University Press:
- 04 April 2001, pp. 193-205
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- Cited by 4
EDITORIAL
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- Published online by Cambridge University Press:
- 29 November 2005, pp. 181-183
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- Cited by 4
Temporal Associations, Semantic Content and Source Bonding
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- Published online by Cambridge University Press:
- 25 February 2011, pp. 63-68
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- Cited by 4
Mimetic Space – Unravelled
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- Published online by Cambridge University Press:
- 25 June 2008, pp. 111-122
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- Cited by 4
Local Performance Networks: musical interdependency through gestures and controllers
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- Published online by Cambridge University Press:
- 29 November 2005, pp. 255-265
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- Cited by 4
Real-Time Timbral Organisation: Selecting samples based upon similarity1
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- Published online by Cambridge University Press:
- 06 July 2010, pp. 159-166
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- Cited by 4
Spectral modelling and timbre hybridisation programs for computer music
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- Published online by Cambridge University Press:
- 04 April 2001, pp. 253-258
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- Cited by 4
Editorial
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- Published online by Cambridge University Press:
- 17 January 2003, pp. 83-84
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- Cited by 4
Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance
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- Published online by Cambridge University Press:
- 20 August 2021, pp. 52-64
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