The aim of this article is to analyse the TV series Black Sun/Shadows over the Balkans (Senke nad Balkanom, 2017, Dragan Bjelogrlić), understood as a reflection of the ways in which diverse imperial legacies, persisting differences and contrasting pasts shaped the (ambivalent) post-imperial traumatic history of the newly formed Kingdom of Serbs, Croats and Slovenes in 1918. The burden of imperial legacy – mostly manifested in ethnic, political, cultural and economic tensions among diverse nations in the new multi-ethnic state – kept brewing under the surface and came to represent a constant threat of balkanization i.e. further fragmentation of the multicultural kingdom. In this article I claim that the same danger of balkanization – traced back to the years after the Great War – continued to haunt all successor states of the Kingdom of Yugoslavia (and Yugoslavias ensuing from 1943 until 1992) eventually resulting in the break-up of the Socialist Federal Republic of Yugoslavia (SFRY) in 1992. The irreconcilable differences and competing ambitions of different national, social and geopolitical identities define the structure, characters and their relations in the TV narrative, and are also reflected in the cityscape of Belgrade – the capital of the Kingdom and paradigmatic Balkan metropolis – in the late 1920s. The series is read against the theories of Dominique Moisi’s Geopolitics of Emotions (2010) and La géopolitique des séries/Geopolitics of TV Series (2016), and his assertion that TV series have become crucial in understanding our world in its many aspects – from domestic politics to geopolitics. The story of Belgrade between the two World Wars reveals the traumatic imperial legacy as determining the emergence of a ‘culture of fear, hope and humiliation’, tensions of balkanization and search for identity in the city suspended between an Ottoman casaba and a European metropolis. On the other side – in terms of narrative, genre, and visual style – the series itself is seen as the acculturated version of both the novel Der nasse Fisch (Volker Kutscher, 2007) and the TV series Babylon Berlin (2017), illustrating the rise of cultural imperialism in post-imperial times.

Several pieces of legislation have been enacted with a view to regulating the European integration process in Bosnia and Herzegovina. A plethora of bodies are in charge for approximating the EU acquis. However, the stabilisation and association process in the field of justice related matters has not proceeded as planned due to the existence of at least four legislatures for the Justice Sector and 14 Ministries of Justice (MoJs) whose competences and tasks are not well delineated. This article focuses on the specific issues affecting the transposition of Chapters 23 (Judiciary and fundamental rights) and 24 (Justice, freedom and security) of the EU acquis. Based on the analysis of existing legislation and administrative structures and meetings with local officials and foreign donors, the author argues how, for an effective legal approximation process, a review of the current allocation of competences among State, Entities, Brčko District and canton level cannot wait. After drawing comparisons with regional best practices in the field of European integration and illustrating the complex constitutional framework of the country, the administrative and legislative obstacles characterising the approximation of domestic legislation with European standards in the field of Justice and Home affairs are explained. The author concludes by offering a set of solutions to overcome the current situation.

New Technology may have unintended and even negative impacts. This article explores some new approaches in policy analysis of socio-technical networks aimed at improving foresight for technological advances.

In recent years large global programmes on the environment have been developed in which geography provides an essential component. This article outlines the main programmes in progress.

The paper deals with the role of Latin and the whole Latin tradition (Latinitas) in East and Central Europe. The main thesis is that, when viewed from various perspectives, this tradition proves to be an integrating as well as a disintegrating factor in the cultural community of the region. Concluding remarks concern the relevance of the Latin heritage for preservation of the cultural identity in East-Central Europe.

The decolonization of Indonesia is far from being a peripheral issue for Dutch national identity. Since the 1970s, but especially in 1995, public debate has erupted in an attempt to come to terms with this part of national history. The protestant ethic is still so strong that discussions revolve in particular around morality and a final verdict. Opinion leaders and historians have, however, not been able to solve the issue, so that the way in which the Netherlands lost their Southeast-Asian colony continues to trouble the Dutch self-image.

Approaching the 21st century, humankind faces a paradox: the ocean covers more than two-thirds of the Earth's surface and has a core role in providing living and non-living resources for the world's population, but it is much less understood than the terrestrial part of our planet.

The article gives, first of all, a general presentation of the European Space Agency (ESA), followed by a more detailed outline of the ESA's Science Programme, its content, resources, organization, advisory structure and decision procedures. The various types of missions and the place they occupy in the programme are described. From a scientific point of view, these missions fit into four main themes of research, which are also potential ‘roadmaps’ for international collaboration. In the second part of the article, an outline is given of most of the projects that have been already undertaken, are in process or are being planned at the present time.

Archaeological sites can be excellent alternative museums. They need appropriate enclosures and an imaginative arrangement of archaeological objects or replicas.

However valuable as a term defining – by a shared language – a grouping of nations, ‘la Francophonie’ proves imprecise and divisive on closer analysis. In the field of literature, ‘Francophone’, despite its etymology (and the consequent absurdity of the phrase ‘Francophone literature’), has paradoxically come to exclude white writers from metropolitan France. At a time when the population of France is becoming increasingly multi-ethnic, any exclusion tainted with racism is particularly inappropriate. The centralizing mentality of France, politically motivated in the seventeenth century and entrenched over the years, is at odds with the ambition of universality except in terms of an assumed superiority through conquest or paternalism. The ‘mission civilisatrice’ has become the more insinuating ‘présence française’. For the literary scholar alert both to postcolonial discourses and to the heretofore marginalized texts of French literature dealing with blacks as well as to the dynamic contribution by black writers to literature in French, a new term is proposed: ‘la Francographie’. To replace the binary polarisation of French and Francophone, which fosters oppositional stances, comes a new model appropriate for our computer age: the net.

The new research field of synthetic biology is emerging from molecular biology, chemistry, biotechnology, information technology and engineering. This paper describes synthetic biology as a ‘Science of the Artificial’ and identifies structural features of engineering sciences that can be applied to this new kind of biology as opposed to traditional biology. The search for laws already in traditional biology has been difficult. In Synthetic Biology, action and application stand in the foreground and laws increasingly lose ground as a meaningful concept.

The functions and territories of academies and universities have never been totally independent from the outside world, nor can we revert to earlier stages of the history of these institutions. Therefore, we have to understand and judge them according to their components in order to find the proper responses to various challenges, and we have to make continuous efforts to be as independent and autonomous as possible in the context of cooperation and the building of collective wisdom. The keywords of this article are personal liberty, political freedom, concentration versus separation of powers, efficiency, meritocracy, common good, and political community.

Most discussions on mediality and intermediality take their point of departure as contemporary digital media, social media included. Hence, earlier periods in cultural history are often regarded as simple forerunners for the highly complex situation in today’s globalized media culture based on digital technologies. It is true that electronic media technology and its social effects now have reached an unprecedented and accelerated technological complexity. However, this perspective tends to ignore the fact that from ancient times up to the late nineteenth century, a wealth of media innovations exercised an impact in their contemporary cultures and societies; innovations that equal the influence of digital media today: the introduction of writing, book printing, the printed press and its technologies, visual reproduction technologies, the telegraph, photography, film, the telephone and other innovations in the media world. The focus of this article is a few specific media innovations and the radical changes they generated over the last few hundred years in literature and art as well as in their cultural and societal contexts. Such innovations are steps in the long process that leads to recent media developments and their influence on experiences, knowledge, ideologies and human self-understanding.

This paper explores the Polish opinion about German colonialism in Africa in connection with the perception of Prussian rule ‘at home’. In late Imperial Germany, Prussian Poles tended to look at the German ventures in Africa with a very critical eye. Their interest in Cameroonian issues was due to the fact that both Poles and Cameroonians were facing the same difficulties at the same time, namely German attempts to eliminate local languages in schools and to take control of the lands. By establishing a link between Polish and Cameroonian suffering, Polish patriots wanted to make Poles aware of their political, economic and cultural subjection within a global context. In a certain way, this counter-hegemonic narration was supposed to deprovincialise the ‘Polish issue’ and make it part of the broader struggle against German imperial power. The Poles, however, did not support independence for Cameroon. They used the Cameroonian issues mainly polemically in order to advance their own cause in imperial Germany.

A defining feature of new nationalisms, with their right-wing populist rhetoric, is the way they exploit the regime of truth prevalent in liberal democratic societies. Their use of the language of democracy, human rights and identity is sometimes hard to differentiate from the mainstream convention. Despite being majoritarian in the way it seeks democratic legitimacy, new nationalist discourse consistently advances demands framed in terms of minority protection. This is done by presenting the existence of ‘our’ nation as threatened by overwhelming forces of neo-liberal globalisation (embodied in the EU, the West or even in ‘the Washington establishment’). By using the Pussy Riot case as an empirical example, this article argues that there is no way of preventing the language of minority protection from being hijacked by ‘predatory identities’ unless one foregrounds the universal dimension of equality and emancipation, as opposed to rights and entitlements associated with particular identities. The key political question today, as always, is how to navigate between the totalitarian disregard of the local and the parochialist concentration on the particular.

The article discusses uncommemorated sites of violence in the framework of landscape theories. In particular, it asks how the sites of past violence can be understood through the lens of the ‘dynamic’ theory of landscape offered by Tim Ingold in his seminal The Temporality of the Landscape (1993). The ‘dwelling perspective’ he proposes to understand sites as dynamic ‘taskscapes’ allows us to inscribe past violent actions and engagements of local users into today’s meanings of sites of trauma. This conceptualization is further operationalized in relation to George Chamayoux’ philosophical history of manhunts (or more broadly: cynegetic practices, 2012). In the article it has been asked: how can a landscape be ‘pregnant with the past’ – as it is claimed in Ingold’s approach – if the past actions involved tracking, hunting and killing people who tried to escape death in ghettos or camps? How can we ‘read the past’, ‘remember it’ or ‘call back an internal image’ of previous actions developed in the area, if the activity co-constituted an act of genocide? Are we able to read today the past threat of a perpetrator–predator searching for victims, and, if so, with what tools? Can environmental studies help us to understand the uncanny relation to landscapes that connote past manhunts, and violent deaths on killing sites? The author will propose the concept of cynegetic landscapes to approach landscapes of manhunts.

On 11 March 2006 the former Serbian leader Slobodan Milosevic was found dead in his prison cell in The Hague, where the case against him at the International Criminal Tribunal for former Yugoslavia (ICTY) was nearing its end. Many people voiced their disappointment about the fact that Milosevic would never receive his verdict. Although this disillusionment is understandable, Milosevic's death also saved the prosecutors and the Tribunal from delivering a judgment that would probably have contributed little to reconciliation in former Yugoslavia. This was particularly so in relation to that part of the indictment that concerned Milosevic's alleged responsibility for the massacre by the Bosnian Serb army of 7500 Bosnian Muslim men and boys following the fall of Srebrenica in July 2005.

In the formation of the modern nation state and the social imaginary of nationalism in the nineteenth century, the media and representational practices have, among most scholars, been ascribed a prominent position. The question is, however, how have changes in media technologies, from mass media to digital and interactive personal media, impacted on the national imaginaries over the past few decades? This article discusses what happens with the social imaginaries when national(ist) symbols are reproduced through the medium of PowerPoint, as one of the main tools for constructing images of the nation in nation-branding campaigns, i.e. promotional campaigns initiated by governments in conjunction with corporate actors with the aim of producing an attractive image of a country for foreign investors and tourists. It is concluded that the representational technology of PowerPoint produces a nation as an imagined commodity rather than an imagined community.

A preoccupation with hybridity is natural in a period like ours marked by increasingly frequent and intense cultural encounters. Globalization encourages hybridization. However we react to it, the globalizing trend is impossible to miss, from curry and chips – recently voted the favourite dish in Britain – to Thai saunas, Zen Judaism, Nigerian Kung Fu or ‘Bollywood’ films. The process is particularly obvious in the domain of music, in the case of such hybrid forms and genres as jazz, reggae, salsa or, more recently, Afro-Celtic rock. New technology (including, appropriately enough, the ‘mixer’), has obviously facilitated this kind of hybridization.

It is no wonder then that a group of theorists of hybridity have made their appearance, themselves often of double or mixed cultural identity. Homi Bhabha for instance, is an Indian who has taught in England and is now in the USA. Stuart Hall, who was born in Jamaica of mixed parentage, has lived most of his life in England and describes himself as ‘a mongrel culturally, the absolute cultural hybrid’. Ien Ang describes herself as ‘an ethnic Chinese, Indonesian-born and European-educated academic who now lives and works in Australia’. The late Edward Said was a Palestinian who grew up in Egypt, taught in the USA and described himself as ‘out of place’ wherever he was located.

The work of these and other theorists has attracted growing interest in a number of disciplines, from anthropology to literature, from geography to art history, and from musicology to religious studies. In this issue, the contributions discuss Africa, Japan and the Americas as well as Europe and range from the 16th century to the 21st, from religion to architecture and from clothing to the cinema.

Using the theoretical tools provided by the conceptualisations of resilience and interconnectedness, this article carries out a comprehensive analysis of Aminatta Forna’s Happiness (2008). The starting hypothesis explored in this article is that Happiness represents the transformational process of suffering and/or psychological wounds through the reparative agency of interconnectedness among humans as well as between humans and animals. Accordingly, this article will first demonstrate how the novel represents the possibility of healing one’s psychological wounds through the stories of Attila and Jean, the two protagonists falling in love after a chance encounter. It will then explore how the novel presents the necessity of establishing relationality between the self and the other in coping with adversities. Finally, it will elaborate on the indispensable coexistence between humans and animals in the novel, which provides the characters with the possibility for achieving the ecological self. In doing so, this article will demonstrate that Happiness succeeds in representing the need for an interdependent world and the impossibility of a sovereign self in order to achieve happiness in the contemporary age.