This study expands perceptions of ritual behaviour in the British Iron Age, which conventionally focus on the deposition and burial of objects. Classification of animal bones as special deposits in Iron Age Britain, and interpretation of the ritual activities they may represent, has tended to concentrate on the significance of their burial location and composition and/or the cultural perception of the particular animal species deposited. Other than for consumption and sacrifice, little consideration has been given to the complex, dynamic histories (biographies) and cultural significance of animal remains in the period between death and burial. Detailed examination of the taphonomic and pre-depositional histories of animal deposits, are one means by which it is possible to explore the activities that occurred above ground in the past. Zooarchaeological investigations of a group of cattle and horse skulls from Battlesbury Bowl, Hampshire, provide an excellent example of a ‘special deposit’ where it was the objects themselves, as much as their species, location or structured burial that held special significance for the Iron Age community. By taking a biographical approach, we can create detailed narratives of archaeological animal bones and their treatment, thereby expanding the view of activities that fall under the ‘ritual’ umbrella.

This study approaches the material world of the Neo-Assyrian period in Mesopotamia from the theoretical and methodological standpoint of the field of sensory archaeology. Analysis of relevant royal inscriptions, administrative tablets, bas-reliefs and artefacts excavated from the palaces in the Assyrian capital cities of Nimrud, Khorsabad and Nineveh demonstrates that the Assyrian kings and their courtly advisors participated in activities of biopolitics. The study identifies several phenomena and features of the Assyrian world, including palaces that served as sensorial envelopes, commensal feasts, travelling processions, water-control projects and libation rituals that the Neo-Assyrian royal authority deployed in attempts to control sensory experiences. At the same time, the study reconstructs the sensory experiences of Assyrian bodies as they passed through royally curated structures and landscapes.

The distinction between clean and unclean, often associated with bodily functions, is a common feature of human societies. Consequently, diverse groups developed different ways of maintaining separation between the realms. Despite its prominence in many ethnographies and in anthropology at large, and although the spatial expression of this separation is susceptible to archaeological enquiry, the concept of purity had received less attention by archaeologists. The completion of the excavation of a large house at Tel ʿEton supplied us with detailed information on household life and practices in Iron Age Israel. The finds from this house, along with a very large archaeological dataset about Iron Age Israelite society at large and the wealth of textual data from this period, give us insights into the practices associated with purity/impurity. The article reconstructs how Iron Age Israelite society coped with the implications of impurity (mainly women during menstruation) in its daily life, how impurity was contained, and offers a reconstruction of the ritual that accompanied the change of status from impure to pure.

In archaeology, a Posthumanism has arisen from the ashes of post-modernism and declared that Marxism is dead in archaeology. Archaeological advocates of the posthumanist theory of Symmetrical Archaeology cherry-pick ideas to dismiss Marxism out of hand without considering the depth and nuances of different Marxist theories. They misrepresent the relational dialectic as oppositional thinking and ignore the fundamental dualism of their own polemic. They equate humans and things by arguing that they share a common ontology. A relational Marxism resolves the dualistic nature of their polemic and shows that things, animals and people may be studied relationally while still recognizing ontological differences. Marxism lives.

Although archaeologists have become increasingly interested in disaster, collapse and regeneration, there has been insufficient attention paid to the social and psychological impact of disasters. Disasters can stimulate far-reaching religious changes. This article is a case study of the fall of the Middle Sicán polity of northern Peru (ad 900–1100) that draws on both archaeology and oral tradition. Middle Sicán cosmology was centred on the Sicán Deity, which did not survive the polity's collapse. The god's demise and the revitalization movement that followed the Middle Sicán can only be understood by considering both how many of the people of the region conceptualized their world and the disasters that occurred.

Monumental sanctuaries in Central Italy, more specifically South Etruria, appear suddenly in the middle of the first millennium bc. Ancient Greek and Roman authors wrote about the Etruscans, and the Etruscans themselves produced a mass of material evidence which they buried in their tombs, and which drew on Classical elements including mythology. As a result of the wealth and breadth of archaeological material, this society provides much, so far unexplored, scope for cognitive investigation. Here my concern is why sanctuaries emerged in the late sixth century, and why the highly codified temple architecture of South Etruria took the form that it did.

Drawn by their foundation in fundamentally ‘otherwise’ posthuman ethical and moral worlds, archaeologists have in recent years employed a number of indigenous theories to interpret archaeological materials. In this paper I consider the potential of New Zealand Maori whakapapa, loosely and reductively translatable as genealogy or ancestry, to become a strand of general theory in archaeology. The qualities of whakapapa which I feel have particular potential are its moral and ethical embeddedness and its insistence on multiple forms of relating. Importantly, whakapapa has an accessible indigenous voice. There is an extensive published literature, both Maori and non-Maori, academic and general, discussing, interpreting and applying Maori social theory, including whakapapa. In addition, whakapapa remains today fundamental to everyday and ceremonial Maori life. It is lived. Employing whakapapa as archaeological theory does not, then, depend on a having a specific authoritative interpreter. Here I have taken recent work by installation artist Maureen Lander as a forum to outline the key principles of whakapapa and to inform my discussion of whakapapa as archaeological theory.

This article discusses the identity of the people buried in the Great Death Pit PG 1237, a mass grave of the Royal Cemetery of Ur, and the ways they died and entered the shaft. Admittedly, the evidence required to positively solve the many taphonomic and osteological questions involved does not exist, because of the way the site was excavated and published in the early twentieth century. Nonetheless, the original excavators’ skill and unquestioned care in mapping and recording still prepares the ground for new alternative interpretations. As the ‘Rams Caught in a Thicket’ (two statuettes found in the mass grave) may have been the front parts of lyres, and almost all the dead might have entered the shaft impersonating musicians, singers and dancers, the paramount importance of music in the funerals of Sumerian elites is emphasized. New radiographic evidence recently suggested that some of the buried persons were killed violently, refuting the traditional theory of a voluntary mass suicide by poison. The bodies of the victims might have been formally prepared and serially brought to the pit in burial groups. Stratigraphy and spatial distribution reveal consistent depositional patterns dictated by specific rituals, as already proposed on the basis of more limited evidence by other authors. Formal arrangement and ritualism, in turn, support Woolley's identification of the graves as sacred constructions and thus reaffirms their royal character. The article ends by considering the historical meaning of the nature of these impressive funerals at the verge of the political unification of Mesopotamia by the house of Sargon.

The ethnographic data of the Bleek-Lloyd archive pertaining to the ǀXam Bushmen (San) of the Karoo have been marshalled to great effect in developing understandings of Bushman rock art throughout southern Africa, with implications for archaeological interpretations of hunter-gatherer rock arts worldwide. Rock art from their homelands, however, has received comparatively little attention, and obvious historical content—which would tie the art to the socio-cultural milieu of the Bleek-Lloyd informants—has occasioned relatively little comment. This paper returns to one site (the Strandberg) known to have been a prominent feature in the cultural landscape of the ǀXam to explore the historical imagery present there, examining the ways in which this art demonstrates the ongoing vitality of certain aspects of ǀXam life in the face of the dramatic socio-cultural changes experienced by these groups from the nineteenth to early twentieth centuries. The paper investigates the range of potential authors for the art, and looks at the context of its production within the expansion of global markets, violent interactions and shifting subsistence options that characterized the late nineteenth-century Northern Cape.

In the Late Mesolithic graves of Yuzhniy Oleniy Ostrov, northwest Russia, large numbers of Eurasian elk (Alces alces) incisors have been found. These teeth, for the most part fashioned into portable pendants, seem to have formed decorative sets for the garments or accessories of the deceased. This article examines both the technologies associated with these artefacts and their uses, as well as reflecting on the sensorial experiences generated by them. Osteological analysis of a sample of 100 specimens indicates that all types of incisors were used for making the pendants. Traceological analysis indicates that the teeth were modified by scraping, grooving, grinding and retouching. Traces of wear consist of general wear and distinctive pits or pecks on the perimeters of the crowns. These traces indicate that the pendants were worn before their deposition in the graves, in such a way that they were in contact with both soft and solid materials. This pattern of pits or pecks has until now been unreported in the traceological literature. In experiments, a similar pattern emerged when pendants of fresh elk incisors were hung in rows and bunches and struck against one another. These strokes created a rattling sound. Thus, the elk incisors of Yuzhniy Oleniy Ostrov appear to provide insight into previously unattainable sonic experiences and activities of Mesolithic hunter-gatherers, as well as the early history of the instrument category of rattles.

A massacre took place inside the Sandby borg ringfort, southeast Sweden, at the end of the fifth century. The victims were not buried, but left where they died. In order to understand why the corpses were left unburied, and how they were perceived following the violent event, a theoretical framework is developed and integrated with the results of osteological analysis. I discuss the contemporary normative treatment of the dead, social response to death and postmortem agency with emphasis on intergroup conflict and ‘bad death’. The treatment of the dead in Sandby borg deviates from known contemporary practices. I am proposing that leaving the bodies unburied might be viewed as an aggressive social action. The corpses exerted postmortem agency to the benefit of the perpetrators, at the expense of the victims and their sympathizers. The gain for the perpetrators was likely political power through redrawing the victim's biographies, spatial memory and the social and territorial landscape. The denial of a proper death likely led to shame, hindering of regeneration and an eternal state of limbo.

The paper aims at providing theoretical models and data interpretation applied to multiple burials. Challenging the current fuzzy definition of multiple burials in ancient societies, the paper proposes a more accurate classification of multiple burials, with particular reference to ancient Egypt funerary culture, based on two main parameters, which may have influenced the association of bodies: p1) architecture; p2) time span, and three flexible sub-parameters that may be used to customize different scenarios, on occasion: sp1) number of deceased; sp2) age of deceased; sp3) nature of death/deposition. The body has been often considered the real ontological centre of the burial itself with all of the other countable objects intended as radiating projections supporting the body-nucleus. The practice of multiple burials disrupts such a perception as it juxtaposes horizontal, multidirectional perspectives: the role of a new body entering among older bodies and objects, and of the multiple bodies and objects themselves. The study of multiple burials, if correctly framed, can lead to insights into different religious, social, and economic reasons behind the mortuary programmes within a society. For instance, sequential multiple burials reinforce the transformation of dead bodies into part of the burial equipment itself, reducing the centrality of the body and disrupting the narrative tied to individual biographies, increasing an ‘artefactual’ perception.

El-Amarna is the site of the largest surviving ancient Egyptian city, dating to the middle of the fourteenth century BC and occupied by a population of over 20,000. This article takes as its starting point the question ‘What would have constituted a desirable residence or neighbourhood?’ and attempts to reach an understanding of the social aspirations of the Egyptians of the pharaonic period by analyzing the residential areas of el-Amarna in the context of contemporary texts and ethnographic parallels. The results of this analysis suggest that Egyptian attitudes to material success and the ‘country estate’ are eloquently expressed in the variability of their mud-brick housing at different levels of society.

New evidence of ritual seclusion and sensory deprivation, from the eastern margins of the Namib Desert suggests that specialized shamans may have operated alone, and possibly as itinerants, performing ritual services at widely scattered sites. This behaviour has its origins in hunter-gatherer responses to the introduction of pastoralism, and to the emergence of specialist rainmakers and healers during the second millennium ad. The research reported here identifies and explains important anomalies in the rock art and archaeology of hunter-gatherer religious practice in southern Africa.

This text comprises a critical discussion of assemblage theory and its application to burial studies. In recent research, burials have been viewed as fluid and indeterminate assemblages that ‘become’ in varied ways depending on different perceptions (concepts and ideas) and apparatuses (e.g. excavation tools and measuring instruments). The past and the present are thus mixed in potentially ever-new configurations which run the risk of replacing epistemological relativism with ontological fluidity. It is argued here that the hypothetical mutability of burial assemblages can be reduced significantly by addressing the varying speed and degree of the involved processes of integration and disintegration. By doing this, the main focus is shifted to the animacy of such processes and how they may have been understood and utilized in burials. Using both general and specific examples, it is argued that cremation burials can be studied as carefully compiled amalgamations that utilize the properties and animacies of different materialities to deal with death, corpses and the afterlife.

In October 1900, Edwin and William Kiel were killed outside of Nevada's oldest standing structure in North Las Vegas. Since their death, the Kiel brothers have been analysed by bioarchaeologists and forensic experts. Their ranch, now a historic site, remains the property of the city of North Las Vegas and is a contested space which has seen little development. In this article, we discuss the post-mortem social lives of the brothers within the context of debates about the ranch and the brother's bones which remain separated. How the brothers have taken on various symbolic forms after death and how their bones have not yet been returned to the site are examined. We document the ways the brothers have been used rhetorically as tools by the living as they have debated the future of the ranch. We argue that the brother's bones, even in their absence, are effective tools in ongoing political debates. This article provides an example of how absent bodies, or bodies out of place, can serve as secondary agents. Additionally, the study provides bioarchaeologists with a narrative of how the dead are more than tools but may unexpectedly alter human behaviour.

The large-scale accumulation of goods is a widely recognized, but little studied, feature of early urbanization in Mesopotamia. Current research links the mobilization of goods in early cities to the expansion of cross-regional trade routes. A related aspect of urban growth is the virtual disappearance of intramural burials from the archaeological record. This contrasts with earlier phases where burials were incorporated into the routines of domestic life. Adapting Max Weber's insights regarding the origins of modern capitalist accumulation in changing forms of religious practice, this paper will trace the changing moral context of economic behaviour by examining long-term patterns of burial in the transition from village to urban life. The momentous social changes that accompanied the urban revolution transformed relationships between the living, the dead and the world of goods. Trajectories of accumulation reinforced by the provisioning of the deceased were reversed at the onset of urbanization, as the dead were expelled from the context of the living. The flow of commodities was now regulated by emerging forms of religious institution that fostered a culture of capital accumulation in rapidly developing urban centres.

Traumatic death rends the fabric of personal and social relations in a manner that is qualitatively different to other kinds of mortality. Mourners must deal with the personal affects, familial consequences and political aftermath of such events. This paper examines the way in which performances around such difficult deaths were used to express and negotiate trauma, through the lens of Iron Age burials in Britain and Ireland. It draws on performance theory developed in relation to contexts of violence to argue that such funerals embodied a necessary tension: articulating pain whilst working towards a re-making of the world. The paper makes an original contribution to the archaeological analysis and interpretation of funerary performance, and moves recent debates on violence in the Iron Age into a new arena of study.