Research has recently resumed at Aksum, capital of a major state which flourished in what is now northern Ethiopia and Eritrea during the early centuries ad. A wide-ranging investigation is planned into many aspects of Aksumite civilization. This paper summarizes results from the first season's work on the setting and symbolic meaning of the monumental stelae for which the site is justly famous, as well as on the technology which they illustrate. It is argued that the stelae were grave markers and that the tradition which they represent was substantially modified following the adoption of Christianity at Aksum in the fourth century.

Recently discovered sculpture fragments from the area surrounding the important but little-studied site of Telantunich confirm a regional tradition of human portraiture quite distinct from the better-known canon of Maya stelae. Comparative material presented here shows connections between this tradition and a regional emphasis on depictions of masculine sexuality, especially depictions of human phalli. The authors present an analysis of this corpus that confirms that such depictions both reflect Classic Maya conceptions of masculinity and were deployed to convey and reify such conceptions within society.

Decorated clay stamps carrying a culturally filtered range of abstract designs are one of the most visually striking but problematic categories of portable art found at Neolithic and Copper Age sites in western Asia and southern Europe. This article proposes a revised account of their production, consumption and changing values across space and time, by emphasizing their biographies, human relations and cultural embeddedness. They were sometimes worn as amulets, but primarily designed to be hand-held printing and impressing tools, used to reproduce copies of powerful graphic images on the surface of other cultural materials. It is argued that their potent signatures repeatedly attached, revealed and reproduced significant cultural concepts and relations across different people and practices and across the material and supernatural worlds.

Experiments in replicating facsimiles of Late Neolithic engraved slate plaques from southwestern Iberia suggest that variation related to fine-motor skills is greater between individual engravers than within the work of a single engraver. This implies that the work of different individuals producing certain classes of material culture may be distinguishable on the basis of repetitive, idiosyncratic traits. These studies also generate otherwise unobtainable information about the experience of plaque making. We examine past and present methodological attempts to differentiate unconscious, individual styles from intentional, culturally mediated styles, and discuss why in some cases it is extremely difficult to separate such variation. We explore the link between individual variation and theoretical notions of the individual, and its implications for understanding the organization, transmission, and shared expression of ancient social practices.

Recent literature has attempted to infer aspects of ‘mind’ from early tool production. It is suggested here that adoption of the modular view of cognition could provide an alternative and complementary approach to that which makes use of Piagetian developmental theory. The modular view, which is concerned with multiple intelligences, permits emphasis on the multiplicity of distinct features involved in spatial cognitive competence, and may provide greater descriptive resolution than is possible with Piagetian schemes. Using an integrated framework to analyze a later Lower Palaeolithic collection from Zhoukoudian, it is suggested that the hominid producers possessed a cognitive capacity for which no current analogue exists

Colour symbolism permeated the world of indigenous North America. This symbolism was often tied to the cosmos where the earth was viewed as a quadrilateral disk and each of the four cardinal directions was linked with a colour array such as red, white, black, and blue. We suggest that the recurring use of certain colours and colour contrasts comprised a suite of long-term historical practices that were essential for reproducing certain views about the world and about being in the world. Further, the rendering of colour had a plasticity that allowed it to enter a discourse about daily life that was intertwined with notions of the long-term. As a case study, we focus on well-known ceramic head effigies in the central Mississippi Valley to argue that their veneers of contrasting red and white were imbued with a notion of time immemorial that converged with other conceptions of temporality, most importantly, a pressing concern with regional violence, personal safety, and spiritual integrity.

This article supplements current dialogue on the archaeology of slavery, offering an Indian Ocean counterpoint to a topic that has largely focused on the Atlantic world. It also delves into the essentially uncharted domain of the archaeology of indentured labour. New plural societies, characterized by cultural hybridity, were created around the world as a consequence of labour diasporas in the late historic period. What do these societies look like during the process of nation building and after independence? Can we study this development through archaeology? Focusing on Mauritius, this paper discusses the complexities of the island, and how it can be representative of similar newly formed plural societies in the Indian Ocean. During French and British imperial rule, the island served as an important trading post for a range of European imperial powers. These varied groups initiated the movement and settlement of African, Indian and Chinese transplanted communities. By exploring the dynamic nature of inter-group interaction on Mauritius, this paper emphasizes the nuanced nature of how different peoples arrived and made the island their home. Mauritius played a vital role in the transportation of forced and free labour, both within and beyond this oceanic world, and offers an important viewpoint from which to survey the ways in which historical archaeology can improve our understanding of the broader archaeo-historical processes of which these diasporas were an integral feature. The paper focuses on the outcomes of settlement, as viewed through the complex practices that underpin local food culture, the use and development of language and the way materials are employed for the expression of identity. The article also traces the roots of contemporary cultural retention for indentured labourers to administrative decisions made by the British, and ultimately explores how heritage and language can provide a powerful lens on mechanisms of cultural expression. In addition to illustrating the nuanced and multifaceted nature of group interaction on Mauritius itself, this article raises an issue of broader relevance—the need for historical archaeologists to give greater consideration to the Indian Ocean, rather than focusing on the Atlantic world. This would allow us to achieve a more informed understanding of European slave trading and associated systems of labour migration within a more global framework.

Posthumanism is a growing field of interdisciplinary study that has emerged, principally in the last 20 years, as a broad church which seeks to reconceptualize human beings’ relationships with the world. At its heart, Posthumanism seeks to destabilize and question the category of ‘human’, which it sees as having previously been treated as transcendent and ahistorical. In its place, the figure of the posthuman aims to capture the complex and situated nature of our species’ existence, outside traditional dichotomies like culture and nature, mind and body, person and environment, and so on. From animal studies (e.g. Despret 2016; Wolfe 2009), via a rekindled attention to the material world (Coole & Frost 2010) to the cutting edge of quantum physics (Barad 2007), Posthumanism draws on a diverse range of inspiration (Ferrando 2019). This diversity also covers a significant internal dissonance and difference, with some posthumanists taking relational approaches, others arguing for the essential qualities of things, some focusing primarily on material things without humans and others calling for explicitly feminist investigations.

From the Norse sagas or the Arthurian cycles, we are used to the concept that the warrior's weapon has an identity, a name. In this article I shall ask whether some prehistoric weapons also had an identity. Using case studies of La Tène swords, early Iron Age central and southern Italian spearheads and middle and late Bronze Age type Boiu and type Sauerbrunn swords, I shall argue that prehistoric weapons could indeed have an identity and that this has important implications for their biographies, suggesting that they may have been conserved as heirlooms or exchanged as prestige gifts for much longer than is generally assumed, which in turn impacts our understanding of the deposition of weapons in tombs, where they may have had a ‘guardian spirit’ function.

Archaeological studies of the material and historical conditions of life have in recent years stimulated discussion of the relationality of people and material culture. Engagement with the material world is one context in which senses of personhood and identity emerge and are transformed. People and materiality are interanimated in the more or less transient events and actions of daily life. Personhood and the material world are loaded with sense and made meaningful through citation and reanimation of cultural values and tradition. This contribution discusses the contingent and possibly transient senses of personhood that may have been constituted in some specific material and historical circumstances relating to early Neolithic monuments in southern Britain. A case study focuses on the relationality of people, animals, earth, stone, architecture and material culture.

We present the analysis of 29 human-transported limestone pebbles found during recent excavations (2009–11) in the Final Epigravettian levels at the Caverna delle Arene Candide, Italy. All pebbles are oblong, most bear traces of red ochre and many appear intentionally broken. Macroscopic analyses demonstrate morphological similarity with pebbles used as grave goods in the Final Epigravettian necropolis excavated at the site in the 1940s. Mediterranean beaches are the most plausible source for the pebbles, which were carefully selected for their specific shape. Microscopic observation of the pebbles’ surfaces shows traces of ochre located on the edges and/or centres of most pebbles. A breakage experiment suggests that many pebbles were broken with intentional, direct blows to their centre. We propose that these pebbles were used to apply ochre ritually to the individuals buried at the site, and that some were subsequently ritually ‘killed’. This study emphasizes the importance of studying artefacts that are often ignored due to their similarities to simple broken rocks. It also provides a method to study pebbles as a distinct artefact category, and shows that even broken parts should be studied to understand the story told by such objects in the context of prehistoric human social systems.

This article explores the relationship between human ontogeny — how people become who they are — and material change at the Bronze Age tell of Százhalombatta, Hungary. Shifts in domestic material culture and in the use of domestic space in houses imply altered developmental experiences for people living on the tell from the Early to Middle Bronze Age. These changes produced qualitatively different kinds of people at different points in time.

The Palace of the Governor at Uxmal is known from previous scholarship to be associated with Venus in terms of both its sculptural decoration and its orientation, which is aligned to an infrequently occurring extreme position of Venus on the horizon. A hieroglyphic inscription above the central doorway of the Palace is shown here to relate specifically to the concern with Venus and other celestial phenomena. Part of the inscription depicts zodiacal constellations, and its uppermost row is a sort of map of the constellations at the ‘base of the sky’ at the time of the Venus alignment. The Throne Inscription from Uxmal may now be recognized as one of the major sources of information about the pre-Columbian Maya zodiac.

This paper explores the potential of posthumanist feminism in archaeology. We find ourselves exhausted in the face of the continuing inequalities in our discipline and the volatile political times we live in, where discrimination and xenophobia, entangled with the patriarchy, create a toxic mix. In the face of this, we draw inspiration from ongoing activism within archaeology and the emergence of posthumanist feminism beyond archaeology. We consider the juxtaposition between activism in the discipline and the lack of engagement with the same issues in our theory. Posthumanist feminism is explored as a way to unite theory and activism. It connects to and builds on existing feminisms but is argued to differ in three ways: first, posthumanist feminism widens the scope of those for whom we should be working to achieve equality; second, it suggests radical shifts in our ontology are necessary to bring about equality; third, it develops an alternative approach to difference. We explore the potential for posthumanist feminism to reshape narratives about the past, the way we do archaeology, and archaeological activism. In each, the aim is to turn away from the majoritarian subject and to make space for multiple alternative voices to emerge and thrive in archaeology.

In this article, we look at two very different contexts of monument use – Bronze Age Inner Asia and the Classic period Maya lowlands – in order to explore the function and meanings of monuments and the variety of ways in which they worked to mark and differentiate ancient landscapes. Our goal in uniting such disparate contexts is to examine how power and social organization in these settings were translated into monumental material forms, and how such materializations were experienced by those who viewed and re-interpreted the monuments. In particular, we explore how monuments acted as orientational markers within specific cultural contexts. Our discussion finds common ground between the disparate settings through several common interpretive frameworks focused on spatial, temporal and social orientational work accomplished by active, agentive monuments through their relationships with humans, which we frame as a ‘technology of the monument’. Monuments are instrumental in situating groups within these different layers, or landscapes, of lived experience, yet even while physically fixed, allow for movement through changing meanings and ideas.

The study of clay tokens in the Ancient Near East has focused, for the most part, on their role as antecedents to the cuneiform script. Starting with Pierre Amiet and Maurice Lambert in the 1960s the theory was put forward that tokens, or calculi, represent an early cognitive attempt at recording. This theory was taken up by Denise Schmandt-Besserat who studied a large diachronic corpus of Near Eastern tokens. Since then little has been written except in response to Schmandt-Besserat's writings. Most discussions of tokens have generally focused on the time period between the eighth and fourth millennium bc with the assumption that token use drops off as writing gains ground in administrative contexts. Now excavations in southeastern Turkey at the site of Ziyaret Tepe — the Neo-Assyrian provincial capital Tušhan — have uncovered a corpus of tokens dating to the first millennium bc. This is a significant new contribution to the documented material. These tokens are found in association with a range of other artefacts of administrative culture — tablets, dockets, sealings and weights — in a manner which indicates that they had cognitive value concurrent with the cuneiform writing system and suggests that tokens were an important tool in Neo-Assyrian imperial administration.

This paper discusses the emergence of silver metallurgy some two millennia ago in the south central Andes. It is argued that the availability of multiple abundant resources and a high population density were instrumental in the development of this complex technology. The potential for such resource-rich environments to stimulate and sustain innovation is briefly discussed, particularly for prestige goods in societies engaged in socially competitive networks. The Puno Bay area of Lake Titicaca and its hinterland is shown to be one such resource-rich region, which may have contributed to its role in developing a complex and labour-intensive silver metallurgy as part of a larger mining-metallurgical landscape.