Search results for Music: General Interest

8 - Casting New Light on Boulezian Serialism: Unpredictability and Free Choice in the Composition of Pli selon pli – portrait de Mallarmé
from Part II - The Evolution of a Style
- By Erling E. Guldbrandsen
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 193-220
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Part III - Reception Studies
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 301-372
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6 - ‘DU FOND D’UN NAUFRAGE’:1 The Quarter-tone Compositions of Pierre Boulez
from Part II - The Evolution of a Style
- By Werner Strinz
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 139-170
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Figures
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp vii-viii
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Preface
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp xi-xii
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5 - Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Constellation’
from Part II - The Evolution of a Style
- By Pascal Decroupet
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 108-138
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14 - Pierre Boulez and the Suspension of Narrative
from Part III - Reception Studies
- By Arnold Whittall
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 354-372
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Bibliography
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 373-387
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Index
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 388-395
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4 - ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’
from Part II - The Evolution of a Style
- By Robert Piencikowski
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 93-107
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Copyright page
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp iv-iv
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13 - Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival
from Part III - Reception Studies
- By Edward Campbell
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 327-353
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12 - Pierre Boulez in London: the William Glock Years
from Part III - Reception Studies
- By Peter O’Hagan
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 303-326
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1 - Pierre Boulez: Composer, Traveller, Correspondent
from Part I - The Context of the Late 1940s and 1950s
- By Edward Campbell
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

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20 October 2016

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13 October 2016, pp 3-24
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Part I - The Context of the Late 1940s and 1950s
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 1-90
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7 - ‘Alea’ and the Concept of the ‘Work in Progress’
from Part II - The Evolution of a Style
- By Peter O’Hagan
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 171-192
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2 - Traces of an Apprenticeship: Pierre Boulez’s Sonatine (1946/1949)
from Part I - The Context of the Late 1940s and 1950s
- By Susanne Gärtner
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 25-55
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Acknowledgements
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

Print publication:

13 October 2016, pp xiii-xiv
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11 - Composing an Improvisation at the Beginning of the 1970s
from Part II - The Evolution of a Style
- By Paolo Dal Molin
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

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13 October 2016, pp 270-300
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9 - Serial Processes, Agency and Improvisation1
from Part II - The Evolution of a Style
- By Joseph Salem
Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan
Book:

Pierre Boulez Studies

Published online:

20 October 2016

Print publication:

13 October 2016, pp 221-245
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16866 results in Music: General Interest

8 - Casting New Light on Boulezian Serialism: Unpredictability and Free Choice in the Composition of Pli selon pli – portrait de Mallarmé

Part III - Reception Studies

6 - ‘DU FOND D’UN NAUFRAGE’:1 The Quarter-tone Compositions of Pierre Boulez

Figures

Preface

5 - Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Constellation’

14 - Pierre Boulez and the Suspension of Narrative

Bibliography

Index

4 - ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’

Copyright page

13 - Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival

12 - Pierre Boulez in London: the William Glock Years

1 - Pierre Boulez: Composer, Traveller, Correspondent

Part I - The Context of the Late 1940s and 1950s

7 - ‘Alea’ and the Concept of the ‘Work in Progress’

2 - Traces of an Apprenticeship: Pierre Boulez’s Sonatine (1946/1949)

Acknowledgements

11 - Composing an Improvisation at the Beginning of the 1970s

9 - Serial Processes, Agency and Improvisation1

Music: General Interest

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16866 results in Music: General Interest