The Cambridge Companion to Women in Music since 1900

doi:10.1017/9781108556491

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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Davies, Joe 2022. LaurelParsons and BrendaRavenscroft (eds), Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 (Oxford and New York: Oxford University Press, 2018). xi + 273 pp. £41.99 (hb). ISBN: 9780190237028.. Music Analysis, Vol. 41, Issue. 2, p. 332.

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Gee, Melanie 2023. Metatopic musings, Part 2. Metatopic conceptualisation and indexing strategies. The Indexer, Vol. 41, Issue. 2, p. 141.

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Fuller , Sophie 2024. The Cambridge Companion to Women Composers. p. 63.

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Edited by Laura Hamer, The Open University, Milton Keynes

Publisher:: Cambridge University Press
Online publication date:: April 2021
Print publication year:: 2021
Online ISBN:: 9781108556491
DOI:: https://doi.org/10.1017/9781108556491

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

24.99 (GBP)

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This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.

‘Covering a range of topics, this collection should appeal to a broad spectrum of readers … Recommended.’

J. M. Edwards Source: Choice Connect

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The Cambridge Companion to Women in Music since 1900

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