This article examines one of the most violent episodes in Mexico’s recent history—the Corpus Thursday massacre orchestrated by the Mexican government against young students on June 10, 1971. The event marked the beginning of a period known as the guerra sucia (dirty war), marked by the systematic repression of students and dissenting political groups by government forces. The present work advocates for “making history with photographs,” urging readers to explore the historical moment through the narratives presented by three distinct historical actors: the press, independent photographers, and the perspective of power from governmental organizations.

Could cooperation among strangers be facilitated by adaptations that use sparse information to accurately predict cooperative behaviour? We hypothesise that predictions are influenced by beliefs, descriptions, appearance and behavioural history available for first and second impressions. We also hypothesise that predictions improve when more information is available. We conducted a two-part study. First, we recorded thin-slice videos of university students just before their choices in a repeated Prisoner's Dilemma with matched partners. Second, a worldwide sample of raters evaluated each player using videos, photos, only gender labels or neither images nor labels. Raters guessed players’ first-round Prisoner's Dilemma choices and then their second-round choices after reviewing first-round behavioural histories. Our design allows us to investigate incremental effects of gender, appearance and behavioural history gleaned during first and second impressions. Predictions become more accurate and better-than-chance when gender, appearance or behavioural history is added. However, these effects are not incrementally cumulative. Predictions from treatments showing player appearance were no more accurate than those from treatments revealing gender labels and predictions from videos were no more accurate than those from photos. These results demonstrate how people accurately predict cooperation under sparse information conditions, helping explain why conditional cooperation is common among strangers.

The added value of using photographs to explore experiences has been embraced in research methods such as photo-elicitation and Photovoice. Despite evidence that photographs aid communication and understanding, there is little research investigating photograph use within cognitive behavioural therapy. This project explores participant experiences of taking and sharing photographs within a dialectical behaviour therapy (DBT)-informed emotional coping skills group intervention. Five service users were recruited from groups that had implemented the taking and sharing of photographs as a feature of homework tasks and feedback. Semi-structured interviews were conducted, using the photographs taken for the group as prompts, and interpretive phenomenological analysis was used to develop themes. Group evaluation data were used to support the analysis. Participants were positive about the impact of the photographs, despite initially experiencing anxieties regarding sharing them. The task supported them to express themselves in ways that added value to verbal feedback, which had benefits for group relationships and for the therapeutic tasks such as mindful observing. Further research is indicated, given the small sample and participants all being white, working-age females. However, the findings suggest that using photographs as homework tasks could support communication and the exploration of experiences that may be difficult to express using words.

In January 1999, the Canadian government announced their withdrawal from the Cape Breton mining industry with a settlement package for redundant miners, which was considered inadequate by miners and their families. In response, a group of women organized a community-based campaign, United Families (UF), led by two women who traveled to Ottawa to meet national politicians presenting themselves explicitly as “miners’ wives.” While the UF located their campaign within the context of family and community, as expected of miners’ wives, their principal focus was the men disadvantaged by the settlement. Here they strayed onto the terrain of the men's union.

To support their case the women took photographs of miners leaving the pit at the end of a shift and organized them into an album. This became a catalyst for the disjuncture between the gendered expectations associated with female roles, and the women's efforts to represent the interests of the men. Intended as objective evidence in support of their position, the photographs carried a range of complex emotions relating to the women's campaign: They expressed the subjective meanings of the women's relationship with mining and the men photographed, as well as providing material evidence of the condition of the miners. This subjectivity was overlaid onto gendered subtexts inscribed within the history of photography in the public and domestic spheres.

In campaign negotiations the women struggled to control the meaning of the photographic images and their endeavors resulted in only very minor amendments to the original settlement. The UF women's creative use of photography ultimately undermined the legitimacy of the women's negotiations. However, the photographs remain a testament to the history of mining in Cape Breton and to the emotional commitment of women to a partnership with men forged through the sexual division of labor in coal mining.

This article draws upon a range of evidence and theories of gender, activism, and photographic practice to analyze the ways in which the women were disadvantaged in their campaign.

Recent studies provide evidence that the coverage of older people's issues in the mass media during the COVID-19 pandemic was accompanied by a (re-)emergence of negative stereotypes surrounding the question of age. However, these studies primarily relied on written materials. As visual imagery has the power to attract greater attention than words, this study set out to investigate the visual portrayal of older adults in the mass media. Via web crawling, we identified a total of 3,560 articles with keywords such as ‘older adults’ and ‘COVID-19 pandemic’ in the four most popular online news sites in Germany during the first phase of the pandemic. We applied visual content analysis to assess the frequency of a diverse set of characteristics of older adults in the cover photos of the articles in question (N = 604). Older individuals were most often depicted as physically weak, alone, professionally taken care of, passive, living at home or in a nursing home, and cognitively inactive. The images – mostly of female passing persons – were characterised by a stereotypical presentation that evokes distance to the subject by cropping out any faces. Our results reflect findings on the negative media representation of older adults as homogenously vulnerable in verbal materials during the COVID-19 pandemic in contrast to increasingly diverse representations in pre-pandemic times. This stereotypical misrepresentation of older adults can be interpreted as visual ageism, which is amplified by their visual othering. Our findings demonstrate the need for the media to reflect upon these practices as negative age stereotypes have an impact on mental health for people of all ages.

Social media provides an easy and ubiquitous means by which individuals can curate and share their personal experiences while also interacting with their friends, family, and the world at large. One means by which individuals can craft their personal past via social media is through their personal photographs. However, psychologists are only beginning to appreciate the mnemonic consequences associated with sharing personal photographs on social media. The aim of this manuscript is to distil the relevant, psychological research examining the mnemonic consequences associated with photography and sharing personal photographs on social media. To this end, we discuss how a psychological approach to memory has evolved from an individualist perspective to one that is beginning to appreciate the importance of a memory ecology. We then turn to photographs as an important component of one's memory ecology and how the act of photography and sharing photos on social media may have important consequences for how individuals remember their personal past. We then end with a discussion surrounding pertinent avenues for future research. We advocate that, moving forward, psychologists should better appreciate (1) the collective nature of social media, (2) an individual's memory ecology, and (3) the mnemonic consequences associated with social media silence. In addressing these issues, we believe that psychologists and memory researchers, more generally, will gain a fuller understanding of how, and in what way, personal photographs, and the act of sharing them via social media may shape the way individuals remember their personal past.

In May 2019 we launched a special exhibition at the Uganda Museum in Kampala titled “The Unseen Archive of Idi Amin.” It consisted of 150 images made by government photographers in the 1970s. In this essay we explore how political history has been delimited in the Museum, and how these limitations shaped the exhibition we curated. From the time of its creation, the Museum's disparate and multifarious collections were exhibited as ethnographic specimens, stripped of historical context. Spatially and organizationally, “The Unseen Archive of Idi Amin” turned its back on the ethnographic architecture of the Uganda Museum. The transformation of these vivid, evocative, aesthetically appealing photographs into historical evidence of atrocity was intensely discomfiting. We have been obliged to organize the exhibition around categories that did not correspond with the logic of the photographic archive, with the architecture of the Museum, or with the experiences of the people who lived through the 1970s. The exhibition has made history, but not entirely in ways that we chose.

Social media facilitates the sharing of ideas, thoughts and information about older people and later life through online networks and communities in contemporary society. Social media content about older people has become important for understanding media representations of older people, but it has not been sufficiently studied. Recent studies suggest that older people are predominantly represented as a disempowered, vulnerable and homogeneous group on social media sites, such as Facebook and Twitter. Because local authorities in many countries have begun using Facebook to reach out to and interact with citizens, they are seen as a significant producer of media content about older people and later life. The purpose of this study is to examine the ways in which Swedish local authorities have visually portrayed older people in their use of Facebook compared with other age groups. This research performed a visual content analysis of 1,000 Facebook posts posted by 33 Swedish local authorities, employing ten analytical aspects to describe and interpret the signs, activities and contexts associated with older people and other age groups (infants, children, adolescents and adults). The study found that the representations of older people on the Facebook pages of local authorities appeared to be not very diverse; specifically, older people (including those in residential care homes) were mainly portrayed as remaining socially engaged and moderately physically capable. This media representation destabilised the prevalent negative stereotypes of older people as being out of touch and dependent; however, it collided with the reality of older individuals with care needs. Additionally, this study argues that older people are represented as inferior to the young in terms of physical and technological competence, based on the connotations of the signs. Given that local authorities have progressively incorporated social media into their daily work, it is expected that this study will contribute to a greater understanding of the ways in which local authorities produce (non-)stereotypical representations of older people on social media.

This paper provides an in-depth case study of the enforcement of copyright in photographs by certain rights-owners today: freelance professional photographers who derive income from the exploitation of photographic copyright. Referring to the theoretical framework of Guido Calabresi and A Douglas Melamed, the paper reflects on the implications of the case study for the nature and function of copyright in a specific context today. Bringing the experience today into conversation with the enforcement of copyright by professional photographers in past times (the late nineteenth/early twentieth centuries), the paper notes the influence of the bureaucratisation of copyright exploitation (ie exploitation through picture libraries) on legal decision making in a particular forum today: the Intellectual Property Enterprise Court Small Claims Track. The paper concludes with more general reflections on the case study's implications for the courts and copyright policy-makers today.

Connections, circuits, webs, and networks: these are concepts that are overused in today's world histories. Working from a commitment to reflexive historicization, this paper points to one moment in the consolidation of these terms: the late nineteenth- and early twentieth-century visual politics of “new imperialism.” Utilizing photographs, engravings, postcards, letters, and colonial documents, the paper argues that connection was mesmerizing and can still mesmerize the historian. Being connected became possible because of visual and infrastructural projects that allowed the production and consumption of lines that literally cut sea and land. At a time of high empire, and in accordance with the dictates of Imperial Geography, particular locales or “nodes” were thus positioned in the “global.” To mount this critique of our language, the paper focuses on the infrastructural development of the port of Colombo, alongside the thinking of Halford Mackinder, the building of breakwaters in Colombo, the arrival of mass tourism, projections of capitalist improvement for the business of transshipment, and the use of the port by Indian laborers on their way to Ceylon's highland plantations. By attending to the place where connection is wrought, its material workings, and its traces in the visual, intellectual, and capitalist archive, it is argued that connectivity's forgettings and displacements come more forcefully into view. If connection had an evacuating character and could be so imperialist, what of its status in our writings?

Computer-administered questionnaires have received increased attention for large-scale population research on nutrition. In Belgium-Flanders, Young Adolescents' Nutrition Assessment on Computer (YANA-C) has been developed. In this tool, standardised photographs are available to assist in portion-size estimation. The purpose of the present study is to assess how accurate adolescents are in estimating portion sizes of food using YANA-C. A convenience sample, aged 11–17 years, estimated the amounts of ten commonly consumed foods (breakfast cereals, French fries, pasta, rice, apple sauce, carrots and peas, crisps, creamy velouté, red cabbage, and peas). Two procedures were followed: (1) short-term recall: adolescents (n 73) self-served their usual portions of the ten foods and estimated the amounts later the same day; (2) real-time perception: adolescents (n 128) estimated two sets (different portions) of pre-weighed portions displayed near the computer. Self-served portions were, on average, 8 % underestimated; significant underestimates were found for breakfast cereals, French fries, peas, and carrots and peas. Spearman's correlations between the self-served and estimated weights varied between 0·51 and 0·84, with an average of 0·72. The κ statistics were moderate (>0·4) for all but one item. Pre-weighed portions were, on average, 15 % underestimated, with significant underestimates for fourteen of the twenty portions. Photographs of food items can serve as a good aid in ranking subjects; however, to assess the actual intake at a group level, underestimation must be considered.