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Erard: A Passion for the Piano Robert Adelson New York: Oxford University Press, 2021 pp. xii + 238, ISBN 978 0 197 56531 5
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- Eighteenth-Century Music / Volume 20 / Issue 1 / March 2023
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- 08 February 2023, pp. 81-83
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- March 2023
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FORTE/PIANO: A FESTIVAL CELEBRATING PIANOS IN HISTORY
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- Eighteenth-Century Music / Volume 13 / Issue 1 / March 2016
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- 11 February 2016, pp. 151-154
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- March 2016
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Introduction
- from PART III - SOUND IDEAL, NOTATION, AND STYLISTIC CHANGE
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- Beethoven the Pianist
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- 06 July 2010
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- 13 May 2010, pp 171-171
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Frontmatter
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- 13 May 2010, pp i-vi
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Acknowledgments
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- Beethoven the Pianist
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- 13 May 2010, pp viii-ix
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Abbreviations and conventions
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- Beethoven the Pianist
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- 13 May 2010, pp x-x
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Contents
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- 13 May 2010, pp vii-vii
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2 - Beethoven the pianist
- from PART I - BEETHOVEN, HIS PLAYING, AND HIS INSTRUMENTS
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- 13 May 2010, pp 35-63
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PART II - SOUND IDEAL AND PERFORMANCE
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- 13 May 2010, pp 117-118
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5 - The builder's influence
- from PART II - SOUND IDEAL AND PERFORMANCE
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- 06 July 2010
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- 13 May 2010, pp 124-141
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Introduction
- from PART I - BEETHOVEN, HIS PLAYING, AND HIS INSTRUMENTS
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- 06 July 2010
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- 13 May 2010, pp 11-12
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6 - The player's influence
- from PART II - SOUND IDEAL AND PERFORMANCE
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- 13 May 2010, pp 142-168
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Epilog
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- 13 May 2010, pp 260-262
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7 - Common touch and legato
- from PART III - SOUND IDEAL, NOTATION, AND STYLISTIC CHANGE
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- 13 May 2010, pp 172-216
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Index
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- 13 May 2010, pp 271-274
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3 - Beethoven's first decade in Vienna
- from PART I - BEETHOVEN, HIS PLAYING, AND HIS INSTRUMENTS
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- 13 May 2010, pp 64-84
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Beethoven the Pianist
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Introduction
- from PART II - SOUND IDEAL AND PERFORMANCE
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- Beethoven the Pianist
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- 13 May 2010, pp 119-123
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8 - The performance of Beethoven's trills
- from PART III - SOUND IDEAL, NOTATION, AND STYLISTIC CHANGE
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- 13 May 2010, pp 217-259
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Bibliography
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- 13 May 2010, pp 263-270
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