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Structural characterization of B-doped diamond nanoindentation tips
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- Journal of Materials Research / Volume 26 / Issue 24 / 28 December 2011
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- 24 November 2011, pp. 3051-3057
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- 28 December 2011
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67 - French drama in the twentieth century
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- The Cambridge History of French Literature
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- 28 May 2011
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- 24 February 2011, pp 603-611
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Marvin Carlson Speaking in Tongues: Languages at Play in the TheatreAnn Arbor: University of Michigan Press, 2006. 257 p. £26. ISBN: 0-472-11547-2.
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- New Theatre Quarterly / Volume 25 / Issue 1 / February 2009
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- 03 March 2009, p. 100
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- February 2009
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Frontmatter
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- The Cambridge Companion to Moliere
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- 28 March 2007
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- 14 September 2006, pp i-xx
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Index
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- The Cambridge Companion to Moliere
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- 28 March 2007
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- 14 September 2006, pp 239-242
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Series List
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- The Cambridge Companion to Moliere
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- 14 September 2006, pp 243-246
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The Cambridge Companion to Moliere
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- 14 September 2006
Select bibliography
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- The Cambridge Companion to Moliere
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- 28 March 2007
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- 14 September 2006, pp 229-238
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16 - ‘Reculer pour mieux sauter’: modern experimental theatre’s debt to Molière
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- 28 March 2007
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- 14 September 2006, pp 215-228
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Indentation-Induced Damage Mechanisms in Germanium
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- MRS Online Proceedings Library Archive / Volume 983 / 2006
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- 26 February 2011, 0983-LL08-02
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- 2006
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Gaston Baty. Introduced by Béatrice Picon-Vallin, postface by Gérard Lieber. Arles: Actes Sud-Papiers, 2004. Pp. 60. €8 Pb Krystian Lupa. Interviews by Jean-Pierre Thibaudat. Arles : Actes Sud- Papiers, 2004. Pp. 88. €10 Pb
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- Theatre Research International / Volume 30 / Issue 1 / March 2005
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- 09 May 2005, p. 92
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- March 2005
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East of West: Cross-Cultural Performance and the Staging of Difference by Claire Sponsler and Xiaomei Chen, New York; Houndsmills: Palgrave, 2000. 230 p. £30.00. ISBN: 0-3339-4691-x.
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- New Theatre Quarterly / Volume 19 / Issue 2 / May 2003
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- 03 October 2003, p. 199
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- May 2003
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Plugged into History
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- New Theatre Quarterly / Volume 18 / Issue 4 / November 2002
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- 17 September 2003, pp. 392-393
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- November 2002
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Langhoff. Edited by Odette Aslan. Paris: CNRS Editions, 2000. Pp. 414 + illus. FF320 Pb. La scène et les images. Edited by Béatrice Picon-Vallin. Paris: CNRS Editions, 2001. Pp.404 + illus. FF295 Pb.
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- Theatre Research International / Volume 27 / Issue 2 / July 2002
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- 18 June 2002, pp. 213-226
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- July 2002
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From Mimesis to Interculturalism: Readings of Theatrical Theory Before and After ‘Modernism’. By Graham Ley. Exeter: University of Exeter Press, 1999. Pp. xii + 348. £45 Hb.
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- Theatre Research International / Volume 27 / Issue 1 / March 2002
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- 14 February 2002, pp. 97-119
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- March 2002
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Artaud: ‘Le Théâtre et son double’. By Brian Singleton. London: Grant and Cutler (Critical Guides to French Texts), 1998. Pp 88. £5.95 Pb.
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- Theatre Research International / Volume 26 / Issue 1 / March 2001
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- 21 March 2001, pp. 117-125
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- March 2001
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Mise en Scène et jeu de l'acteur: Tome I, L'Espace du texte; Tome 2, Le Corps en Scène. Edited by Josette Feral. Montreal: Editions Jue ères; Editions Lansman, 1997 & 1998. Pp. 317 & 303. CA $39.95; 200 FF Pb.
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- Theatre Research International / Volume 25 / Issue 2 / Summer 2000
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- 23 January 2009, pp. 202-203
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- Summer 2000
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Rosemary Pountney Theatre of Shadows: Samuel Beckett's Drama, 1956–1976Gerrard's Cross: Colin Smythe, 1998. £12.95. ISBN 0-86140-407-6.
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- New Theatre Quarterly / Volume 16 / Issue 1 / February 2000
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- 15 January 2009, pp. 103-104
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- February 2000
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Sylvia Backemeyer, ed. Ralph KoltaiLondon: Lund Humphreys and Lethaby Press, 1997. £25.00. ISBN 0-853-31770-4.
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- New Theatre Quarterly / Volume 15 / Issue 1 / February 1999
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- 15 January 2009, pp. 94-95
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- February 1999
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Tom Bishop From the Left Bank: Reflections on the Modern French Theatre and NovelNew York; London: New York University Press, 1997. ISBN 0-8147-1260-6.
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- New Theatre Quarterly / Volume 14 / Issue 56 / November 1998
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- 15 January 2009, p. 397
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- November 1998
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