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9 - Reality and its Refraction in Descriptions of Women in Haskalah Fiction

Tova Cohen
Affiliation:
Bar Ilan University.
Shmuel Feiner
Affiliation:
Bar-Ilan University, Israel
David Sorkin
Affiliation:
Center for Jewish Studies
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Summary

‘O Hebrew woman, who can fathom your life?’

JUDAH LEIB GORDON Kotso shel yod

THIS chapter will examine the relationship between the extra-literary reality of women's lives and the attitude towards them in European Jewish society of the nineteenth century, and the portrayal of female characters in the fiction of the Haskalah.

Literature never directly reflects reality but at most refracts the given historical moment. The transition from the actual ‘environment’ of history to its literary counterpart involves fundamental changes resulting partly from the author's personality and partly from the inherent assumptions and requirements of the literary medium. For the literary critic the social environment serves as a frame of reference for gauging the changes that have taken place in the ‘literary environment’— the work itself. Once the historical reality has been defined, it is possible to identify the literary features of the fictional characters. As far as the prose works of the Haskalah are concerned, the refraction of reality can be examined from two points of view. One is the extent to which the maskil's socio-historical reality affected his fictional descriptions; the other is the manner in which literary models, genres, and traditions contributed to the portrait of his fictional characters.

THE MALE-ORIENTED CHARACTER OF HASKALAH LITERATURE

In considering the portrayal of female protagonists in the prose works of the Haskalah, the fact that this is male literature par excellence is highly significant. Not only was this literature male-authored, but it was addressed to a predominantly male readership (at least until the 1870s, as will be clarified below). Socially the maskil can be defined as a male member of the social class known as the lomedim (studying) circles. This definition, which has gender-related social and cultural overtones, largely accounts for the male bias permeating the descriptions of women in Haskalah literature.

The maskil had to be a lamdan (a scholar) because of the inherent connection between Haskalah and the Hebrew language. A good understanding of Hebrew was a precondition for becoming even a reader of Haskalah literature. Those who had learned basic Hebrew, but did not go far beyond the education of the ḥeder, were unable to understand the rich and sophisticated Hebrew texts of the Haskalah; this privilege was reserved to those who continued their studies in the yeshiva.

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Publisher: Liverpool University Press
Print publication year: 2001

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