Book contents
- Frontmatter
- Contents
- Acknowledgements
- Series Editor's Preface
- Introduction: The Figure of This World
- 1 The Question of Political Ontology
- 2 The Poetic Experience of the World
- 3 The Myth of the Earth
- 4 The Unbearable
- 5 The Creature before the Law
- 6 The Animal for which Animality is an Issue
- 7 Understanding the Happy
- 8 The Picture and its Captives
- 9 The Passing of the Figure of This World
- Bibliography
- Index
Series Editor's Preface
Published online by Cambridge University Press: 05 September 2014
- Frontmatter
- Contents
- Acknowledgements
- Series Editor's Preface
- Introduction: The Figure of This World
- 1 The Question of Political Ontology
- 2 The Poetic Experience of the World
- 3 The Myth of the Earth
- 4 The Unbearable
- 5 The Creature before the Law
- 6 The Animal for which Animality is an Issue
- 7 Understanding the Happy
- 8 The Picture and its Captives
- 9 The Passing of the Figure of This World
- Bibliography
- Index
Summary
Two or more currents flowing into or through each other create a turbulent crosscurrent, more powerful than its contributory flows and irreducible to them. Time and again, modern European thought creates and exploits crosscurrents in thinking, remaking itself as it flows through, across and against discourses as diverse as mathematics and film, sociology and biology, theology, literature and politics. The work of Gilles Deleuze, Jacques Derrida, Slavoj Žižek, Alain Badiou, Bernard Stiegler and Jean-Luc Nancy, among others, participates in this fundamental remaking. In each case disciplines and discursive formations are engaged, not with the aim of performing a pre-determined mode of analysis yielding a ‘philosophy of x’, but through encounters in which thought itself can be transformed. Furthermore, these fundamental transformations do not merely seek to account for singular events in different sites of discursive or artistic production but rather to engage human existence and society as such, and as a whole. The cross-disciplinarity of this thought is therefore neither a fashion nor a prosthesis; it is simply part of what ‘thought’ means in this tradition.
Crosscurrents begins from the twin convictions that this remaking is integral to the legacy and potency of European thought, and that the future of thought in this tradition must defend and develop this legacy in the teeth of an academy that separates and controls the currents that flow within and through it.
- Type
- Chapter
- Information
- The Figure of This WorldAgamben and the Question of Political Ontology, pp. vii - viiiPublisher: Edinburgh University PressPrint publication year: 2014