Renaissance Quarterly: Volume 65 -

Renaissance Quarterly

Only show content I have access to (8)

Over 3 years (420)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Renaissance Quarterly

Refine listing

Actions for selected content:

Volume 65 - Summer 2012

Reviews

Antonella Fenech Kroke. Giorgio Vasari: La fabrique de l’allégorie: culture et fonction de la personnification au cinquecento. Biblioteca dell’Archivum romanicum, Serie I: Storia, Letteratura, Paleografia 380. Florence: Leo S. Olschki, 2011. xxi + 554 pp. €59. ISBN: 978–88–222–6055–0.

Karolien De Clippel , Katharina Van Cauteren , and Katlijne Van der Stighelen, eds. The Nude and the Norm in the Early Modern Low Countries. Turnhout: Brepols Publishers, 2011. 220 pp. €65. ISBN: 978–2–503–53569–2.

James D. Fleming, ed. The Invention of Discovery, 1500–1700. Literary and Scientific Cultures of Early Modernity. Farnham: Ashgate Publishing Limited, 2011. viii + 217 pp. $99.95. ISBN: 978–0–7546–6841–1.

Jeannie Łabno. Commemorating the Polish Renaissance Child: Funeral Monuments and Their European Context. Farnham: Ashgate Publishing Limited, 2011. xiv + 458 pp. $134.95. ISBN: 978–0–7546–6825–1.

Gail Feigenbaum and Sybille Ebert-Schifferer, eds. Sacred Possessions: Collecting Italian Religious Art, 1500–1900. Issues & Debates. Los Angeles: Getty Research Institute, 2011. viii + 248 pp. $30. ISBN: 978–1–60606–042–1.

Philippe Glardon, ed. L'histoire naturelle au XVI e siècle: Introduction, étude et édition critique de La nature et diversité des poissons de Pierre Belon (1555). Travaux d'Humanisme et Renaissance 483. Geneva: Librairie Droz, 2011. xi +716 pp. $98.82. ISBN: 978–2–600–01438–0.

Katlijne Van der Stighelen , Magnus Hannelore , and Bert Watteeuw, eds. Pokerfaced: Flemish and Dutch Baroque Faces Unveiled. Turnhout: Brepols Publishers, 2010. 278 pp. €75. ISBN: 978–2–503–52564–8.

Howard Marchitello. The Machine in the Text: Science and Literature in the Age of Shakespeare and Galileo. Oxford: Oxford University Press, 2011. 256 pp. $99. ISBN: 978–0–19–960805–8.

Larry Feinberg. The Young Leonardo: Art and Life in Fifteenth-Century Florence. Cambridge: Cambridge University Press, 2011. xii + 204 pp. $95. ISBN: 978–1–107–00239–5.

Laurent Pernot, ed. La rhétorique des arts: Actes du colloque tenu au Collège de France. Paris: Presses universitaires de France, 2011. x + 228 pp. €20. ISBN: 978–2–13–058497–1.

Katja Burzer. San Carlo Borromeo: Konstruktion und Inszenierung eines Heiligenbildes im Spannungsfeld zwischen Mailand und Rom. I Mandorli 15. Munich: Deutscher Kunstverlag, 2011. 288 pp. €48. ISBN: 978–3422–07066–0.

Louise Christine Noble. Medicinal Cannibalism in Early Modern English Literature and Culture. Early Modern Cultural Studies 1500–1700. New York: Palgrave Macmillan, 2011. xiii +242 pp. $85. ISBN: 978–0–230–11027–4.

Todd Richardson. Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2011. xi + 244 pp. + 8 plates. $119.95. ISBN: 978–0–7546–6816–9.

Katherine A. McIver, ed. Wives, Widows, Mistresses, and Nuns in Early Modern Italy: Making the Invisible Visible through Art and Patronage. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2012. xvii + 268 pp. ISBN: 978–0–7546–6953–1.

Yvan Loskoutoff. Un art de la Réforme catholique: la symbolique du pape Sixte-Quint et des Peretti-Montalto (1566–1655). Bibliothèque d’histoire moderne et contemporaine 39. Paris: Honoré Champion Éditeur, 2011. 598 pp. €110. ISBN: 978–2–7453–2164–0.

Marika Keblusek and Badeloch Noldus, eds. Double Agents: Cultural and Political Brokerage in Early Modern Europe. Studies in Medieval and Reformation Traditions 154. Leiden: Brill, 2011. xv +280 pp. $136. ISBN: 978–90–04–20269–6.

Anna Pawlak. Trilogie der Gottessuche: Pieter Bruegels d.. Ä. Sturz der gefallenen Engel, Triumph des Todes und Dulle Griet. Berlin: Mann, 2011. 252 pp. €59. ISBN: 978–3–7861–2653–9.

Anne Leader. The Badia of Florence: Art and Observance in a Renaissance Monastery. Bloomington: Indiana University Press, 2011. x + 328 pp. $65. ISBN: 978–0–253–35567–6.

Renaissance Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 65 - Summer 2012

Reviews