Renaissance Quarterly: Volume 65 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 65 - Summer 2012

Reviews

Claudia Lehmann. Un pien teatro di meraviglie: Gian Lorenzo Bernini vor dem Hintergrund konzeptistischer Emblematik. Neue Berner Schriften zur Kunst 11. Bern: Peter Lang, 2010.232 pp. $62.95. ISBN: 978–3–0343–0361–3.

Marko Lamberg, Marko Hakanen, and Janne Haikari, eds. Physical and Cultural Space in Pre-Industrial Europe: Methodological Approaches to Spatiality. Lund: Nordic Academic Press, 2011. 394 pp. + 32 color pls. $58.95. ISBN: 978–91–85509–61–4.

Helen Smith and Louise Wilson, eds. Renaissance Paratexts. Cambridge: Cambridge University Press, 2011. xiv + 274 pp. $90. ISBN: 978–0–521–11739–5.

Bert De Munck and Anne Winter, eds. Gated Communities? Regulating Migration in Early Modern Cities. Farnham: Ashgate Publishing Limited, 2012. xiii + 294 pp. $134.95. ISBN: 978–1–4094–3129–9.

Helen Hills. Rethinking the Baroque. Farnham: Ashgate Publishing Limited, 2011. xv +244 pp. $124.95. ISBN: 978–0–7546–6685–1.

Benjamin Paul. Nuns and Reform Art in Early Modern Venice: The Architecture of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo. Farnham: Ashgate Publishing Limited, 2012. xix + 314 pp. ISBN: 978–1–4094–1186–4.

Stéphanie Deprouw, Olivier Halévy, and Thierry Crépin-Leblond, eds. Geoffroy Tory: Imprimeur de François Ier, graphiste avant la lettre. Exh. Cat. Ecouen: Musée de la Renaissance. Paris: Editions Rmn-Grand Palais, 2011. 160 pp. €35. ISBN: 978–2–7118–5810–1.

Patricia A. Emison. The Italian Renaissance and Cultural Memory. Cambridge: Cambridge University Press, 2012. xiii + 238 pp. + 8 color pls. $90. ISBN: 978–1–107–00526–6.

Susan Dackerman, ed. Prints and the Pursuit of Knowledge in Early Modern Europe. Exh. Cat. Cambridge, MA: Harvard University Art Museums, 2011. 442 pp. $60. ISBN: 978–0–300–17107–5.

Diane Bodart. Pouvoirs du portrait sous les Habsbourg d’Espagne. Paris: CTHS–INHA, 2011. 558 pp. €46. ISBN: 978–2–7355–0756–6.

Elisabeth Oy-Marra and Volker R. Remmert, eds. Le Monde est une peinture: Jesuitische Identität und die Rolle der Bilder. Beiträge zu den Historischen Kulturwissenschaften 7. Berlin: Akademie Verlag GmbH, 2011.252 pp. €49.80. ISBN: 978–3–05–004636–5.

Joost Keizer and Todd M. Richardson, eds. The Transformation of Vernacular Expression in Early Modern Arts. Intersections: Interdisciplinary Studies in Early Modern Culture 19. Leiden: Brill, 2011. xix + 402 pp. $149. ISBN: 978–90–04–21204–6.

Maarten Delbeke and Minou Schraven, eds. Foundation, Dedication, and Consecration in Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture 22. Leiden: Brill, 2012. xxv + 388 pp. $179. ISBN: 978–90–04–21757–7.

Hélène Diebold. Maurice Scève et la poésie de l’emblème. Bibliothèque de la Renaissance 5. Paris: Classiques Garnier, 2011. 492 pp. €59. ISBN: 978–2–8124–0273–9.

Alexander Marr. Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy. Chicago: The University of Chicago Press, 2011. xvii +360 pp. $45. ISBN: 978–0–226–50628–9.

Arne Karsten, ed. Das Grabmal des Günstlings: Studien zur Memorialkultur frühneuzeitlicher Favoriten. Humboldt-Schriften zur Kunst- und Bildgeschichte 15. Berlin: Gebr. Mann Verlag, 2011. 352 pp. €59. ISBN: 978–3–7861–2644–7.

Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0.

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Volume 65 - Summer 2012

Reviews