NTQ Book Reviews
Paul Julian Smith The Theatre of García Lorca: Text, Performance, PsychoanalysisCambridge; New York: Cambridge University Press, 1998, £30. ISBN: 0-521-62292-1. - Comisión National del Centenario de Federico García LorcaFederico García Lorca (1898–1936)Madrid: T. F. Editores, 1998. £25. ISBN 84-89162-98-0. - C. Brian Morris Son of Andalusia: the Lyrical Landscapes of Federico García LorcaLiverpool: Liverpool University Press, 1997. £16.95. ISBN 0-85323-602-X.
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- 15 January 2009, pp. 283-284
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John London Reception and Renewal in Modern Spanish Theatre, 1939–1963London: W. S. Maney and Son, 1997. £30.00. ISBN 0-901-28683-4.
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- 15 January 2009, pp. 92-93
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Angela C. Pao The Orient ot the Boulevards: Exoticism, Empire, and the Nineteenth-Century French TheatrePhiladelphia: University of Pennsylvania Press, 1998. 236 p. £38.00 ISBN 0-812-23425-1.
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- 15 January 2009, p. 189
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Glenda Abramson Drama and Ideology in Modern IsraelCambridge: Cambridge University Press, 1998. 265 p. ISBN 0-521-44159-5.
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- 15 January 2009, p. 342
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Carol Martin ed. A Sourcebook of Feminist Theatre and Performance: On and Beyond the StageLondon; New York: Routledge, 1996. £14.99. ISBN 0-415-10644-3.
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- 15 January 2009, p. 93
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William W. Demastes Theatre of Chaos: Beyond Absurdism, into Orderly ChaosCambridge: Cambridge University Press, 1998. 184 p. £35.00. ISBN 0-521-58245-8.
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- 15 January 2009, pp. 342-343
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Paul Allain Gardzienice: Polish Theatre in TransitionHarwood Academic Publishers, 1997. £16.00. ISBN 90-570-2106-4.
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- 15 January 2009, p. 284
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Mary Bryden, ed. Samuel Beckett and MusicOxford: Oxford University Press, 1998. 267 p. ISBN 0-19-818427-1.
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- 15 January 2009, p. 189
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Peter Thomson Brecht: Mother Courage and Her ChildrenCambridge: Cambridge University Press, 1997. 206 p. £12.95. ISBN 0-521-59774-9.
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- 15 January 2009, p. 343
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Christopher Bigsby, ed.; The Cambridge Companion to Arthur MillerCambridge University Press, 1997. £13.95. ISBN 0-521-55992-8. - Matthew C. Roudane, ed.; The Cambridge Companion to Tennessee WilliamsCambridge University Press, 1997. £13.95. ISBN 0-521-49883-X.
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- 15 January 2009, pp. 93-94
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Michael A. Morrison John Barrymore, Shakespearean ActorCambridge: Cambridge University Press, 1997. ISBN 0-521-62028-7.
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- 15 January 2009, pp. 189-190
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Jo Riley Chinese Theatre and the Actor in PerformanceCambridge: Cambridge Univesity Press, 1997. ISBN 0-521-57090-5.
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- 15 January 2009, pp. 284-285
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John Deeney, ed. Writing Live: an Investigation of the Relationship Between Writing and Live ArtLondon: New Playwrights Trust, 1998. £10. ISBN 0-953-34910-1.
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- 15 January 2009, p. 285
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Katharine Cockin Edith Craig (1869–1947)London; Washington: Cassell, 1997. £15.99. ISBN 0-304-33644-0.
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- 15 January 2009, p. 190
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Peter Ansorge From Liverpool to Los Angeles: on Writing for Theatre, Film, and TelevisionLondon: Faber and Faber, 1997. £8.99. ISBN 0-571-17912-6.
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- 15 January 2009, p. 94
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‘Theatre Quarterly’ and ‘New Theatre Quarterly’: an Annotated Contents and Author Index, 1971–1999
Theatre Quarterly, 1971–1981
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- 15 January 2009, pp. 344-362
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NTQ Book Reviews
Peter Holland English Shakespeares: Shakespeare on the English Stage in the 1990sCambridge: Cambridge University Press, 1997. 278 p. £13.95 ISBN 0-521-56476-X.
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- 15 January 2009, pp. 190-191
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Sylvia Backemeyer, ed. Ralph KoltaiLondon: Lund Humphreys and Lethaby Press, 1997. £25.00. ISBN 0-853-31770-4.
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- 15 January 2009, pp. 94-95
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‘Theatre Quarterly’ and ‘New Theatre Quarterly’: an Annotated Contents and Author Index, 1971–1999
New Theatre Quarterly, from 1985
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- 15 January 2009, pp. 363-388
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NTQ Book Reviews
Alisa Solomon Re-Dressing the CanonLondon; New York: Routledge, 1997. £12.99. ISBN 0-415-15721-8.
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- 15 January 2009, pp. 285-286
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