New Theatre Quarterly: Volume 20 -

New Theatre Quarterly

Only show content I have access to (3)

Over 3 years (87)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
New Theatre Quarterly
ISSN: 0266-464X

EISSN: 1474-0613

URL: /core/journals/new-theatre-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

New Theatre Quarterly

Refine listing

Actions for selected content:

Volume 20 - February 2004

NTQ Book Reviews

Michal KobialkaThis is My Body: Representational Practices in the Early Middle Ages Ann Arbor: University of Michigan Press, 2003. 313 p. £17.50. ISBN: 0-472-08938-2

Stevie SimkinMarlowe: the Plays Basingstoke: Palgrave, 2001. 263 p. £11.50. ISBN: 0-333-73260-x.

Paul Whitfield White and Suzanne R. Westfall, ed.Shakespeare and Theatrical Patronage in Early Modern England Cambridge: Cambridge University Press, 2002. 326 p. £45.00. ISBN: 0-521-81294-1.

Lukas ErneShakespeare as a Literary Dramatist Cambridge: Cambridge University Press, 2003. 300 p. £45.00. ISBN: 0-521-82255-6 (hbk).

Oliver Ford DaviesPlaying Lear: an Insider's Guide from Text to Performance London: Nick Hern Books, 2003. 211 p. £14.99. ISBN: 1-84459-698-5.

Simon GoldhillWho Needs Greek? Contests in the Cultural History of Hellenism Cambridge: Cambridge University Press, 2002. 326 p. £15.95. ISBN: 0-521-01176-0.

David SchalkwykSpeech and Performance in Shakespeare's Sonnets and Plays Cambridge: Cambridge University Press, 2002. 260 p. £45.00. ISBN: 0-521-81115-5.

Alan C. DessenRescripting Shakespeare Cambridge; New York: Cambridge University Press, 2002. 268 p. £16.95 (pbk), £47.50 (hbk). ISBN: 0-521-00798-4 (pbk); 0-521-81029-9 (hbk).

Stanley Wells and Sarah Stanton, ed.The Cambridge Companion to Shakespeare on Stage Cambridge: Cambridge University Press, 2002. 322 p. £15.95. ISBN: 0-521-79711-X.

George TaylorThe French Revolution and the London Stage, 1789–1805 Cambridge: Cambridge University Press, 2000. 263 p. £40.00. ISBN: 0-521-63052-5.

S. E. WilmerTheatre, Society, and the Nation: Staging American Identities Cambridge: Cambridge University Press, 2002. 281 p. £45.00. ISBN: 0-521-80264-4.

Katherine Bliss Eaton, ed.Enemies of the People Evanston, Illinois: Northwestern University Press, 2002. 230 p. $79.95. ISBN: 0-8101-1769-x.

Aleks SierzIn-Yer-Face Theatre: British Drama Today London: Faber, 2003. 274 p. £9.99. ISBN: 0-571-20049-4.

David Bradby and Maria M. Delgado, ed.The Paris Jigsaw: Internationalism and the City's Stages Manchester: Manchester University Press, 2002, 288 p. £14.99. ISBN: 0-7190-6184-9.

Jonathan Gil Harris and Natasha Korda, ed.Staged Properties in Early Modern English Drama Cambridge: Cambridge University Press, 2002. 347 p. £45.00 ISBN: 0-521-81322-0.

R. A. FoakesShakespeare and Violence Cambridge: Cambridge University Press, 2003. 224 p. £16.95 (pbk); £47.50 (hbk). ISBN: 0-521-52743-0 (pbk); 0-521-82043-x (hbk).

Edward ZiterThe Orient on the Victorian Stage Cambridge: Cambridge University Press, 2003. 245 p. £45.00. ISBN: 0-521-81829-X.

Jarka M. BurianLeading Creators of Twentieth-Century Czech Theatre London; New York: Routledge. 225 p. £60.00. ISBN 0-415-27030-8.

Tracy C. DavisThe Economics of the British Stage, 1800–1914 Cambridge; New York: Cambridge University Press, 2000. 506 p. £60.00. ISBN: 0-521-57115-4.

Anthony KubiakAgitated States: Performance in the American Theater of Cruelty Ann Arbor: University of Michigan Press, 2002. 239 p. £39.00 (hbk), £18.00 (pbk). ISBN: 0-472-09811-x (hbk), 0-472-06811-3 (pbk).

New Theatre Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 20 - February 2004

NTQ Book Reviews