NTQ Book Reviews
Bernth Lindfors Ira Aldridge: the Early Years 1807–1833 Ira Aldridge: the Vagabond Years 1833–1852Rochester, NY: University of Rochester Press, 2011. 387, 244 p. £55.00 each volume. ISBN: 978-1-58046-381-2; 978-1-58046-394-2.
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- 12 November 2012, pp. 395-396
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Jane Collins and Andrew Nisbet, ed.Theatre and Performance Design: a Reader in ScenographyAbingdon: Routledge, 2010. 400 p. £26.99. ISBN: 978-0-415-43210-8.
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- 31 January 2012, p. 100
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Stanca Scholz-Cionca and Andreas Regelsberger, ed. Japanese Theatre Transcultural: German and Italian IntertwiningsMünchen: Iudicium Verlag, 2011. 230 p. £22.07. ISBN: 978-3-86205-026-0.
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- 31 August 2012, pp. 300-301
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Kene Igweonu, ed. Trends in Twenty-First-Century African Theatre and PerformanceAmsterdam; New York: Rodopi, 2011. 474 p. £85.00. ISBN: 978-9-0420-3386-3.
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- 15 May 2012, pp. 203-204
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Shulamith Lev-Aladgem Theatre in Co-Communities: Articulating PowerBasingstoke: Palgrave Macmillan, 2010, 200 p. £50.00. ISBN: 978-0-230-55519-8.
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- 15 May 2012, p. 204
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Ingemar Lindh, trans. Benno Plassman and Marlene Schranz, with the assistance of Magdalena Pietruska Stepping StonesHolstebro; Malta; Wroclaw: Icaras Books, 2010. 232 p. ISBN: 978-83-61835-44-8
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- 12 November 2012, pp. 396-397
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Clare Cochrane Twentieth-Century British Theatre: Industry, Art, and EmpireCambridge: Cambridge University Press, 2011. 353 p. £55. ISBN: 978-0-521-46488-8.
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- 31 August 2012, p. 301
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Helen Nicholson Theatre, Education, and PerformanceBasingstoke: Palgrave Macmillan, 2010. 245 p. £12.74. ISBN: 978-0-230-57423-6.
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- 31 January 2012, pp. 100-101
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Ian Brown, ed. The Edinburgh Companion to Scottish Drama. Edinburgh: Edinburgh University Press, 2011. 256 p. £61.75. ISBN: 978-0-7486-4107-9.
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- 15 May 2012, pp. 204-205
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Max Harris Sacred Folly: a New History of the Feast of FoolsIthaca; London: Cornell University Press, 2011. 322 p. £30.95. ISBN: 978-0-8014-4956-7.
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- 31 January 2012, p. 101
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Stephanie Leigh Batiste Darkening Mirrors: Imperial Representation in Depression-Era African American PerformanceDurham, NC: Duke University Press, 2011, 326 p. £17.09. ISBN: 978-0-8223-4923.
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- 12 November 2012, p. 397
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Rosemary Malague An Actress Prepares: Women and ‘The Method’London; New York: Routledge, 2012. 254 p. £19.99. ISBN: 978-0-415-68157-5.
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- 31 August 2012, pp. 301-302
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David Krasner An Actor's Craft: the Art and Technique of Acting. Basingstoke: Palgrave Macmillan, 2012. 216 p. £16.99. ISBN: 978-0-230-27553-9.
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- 12 November 2012, pp. 397-398
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Lionel Pilkington Theatre and IrelandBasingstoke: Palgrave Macmillan, 2010. 92 p. £5.99. ISBN: 978-0-23057462-5.
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- 31 January 2012, p. 102
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Patrick Anderson So Much Wasted: Hunger, Performance, and the Morbidity of ResistanceDurham: Duke University Press, 2010. 188 p. £14.99. ISBN: 978-0-8223-4828-3.
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- 31 August 2012, pp. 302-303
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Shannon Jackson Social Works: Performing Art, Supporting PublicsLondon; New York: Routledge, 2011. 320 p. £66.50. ISBN: 978-0-415-48601-9.
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- 15 May 2012, pp. 205-206
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Benjamin Sears, ed. The Irving Berlin ReaderNew York: Oxford University Press, 2012. 219 p. £22.50. ISBN: 978-0-19-538374-4. - Jeffrey Magee Irving Berlin's Musical TheaterNew York: Oxford University Press, 2012. 394 p. £22.50. ISBN: 978-0-19-539826-7.
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- 12 November 2012, pp. 398-399
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Raymond Knapp, Mitchell Morris, Stacy Wolf, ed. The Oxford Handbook of the American MusicalNew York: Oxford University Press, 2011. 470 p. £95.00. ISBN: 978-019-538594-6.
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- 31 August 2012, p. 303
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David Fuller The Life in the SonnetsLondon; New York: continuum, 2011. 118 p. £14.24. ISBN: 978-1-84706-454-7. - Philippa Kelly The King and ILondon; New York: continuum, 2011. 109 p. £14.24. ISBN: 978-1-4411-1164-7.
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- 31 January 2012, pp. 102-103
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Brian Schneider The Framing Text in Early Modern English Drama: ‘Whining’ Prologues and ‘Armed’ EpiloguesAldershot: Ashgate, 2011. 330 p. £60.00. ISBN: 978-14094-1017-1.
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- 15 May 2012, p. 206
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