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Italian Minor Theatre, 2000–14: the Development of ‘Short Forms’ and the Politics of the Stage
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- 18 July 2019, pp. 195-208
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Michael Bogdanov’s Iconoclastic Approach to Political Shakespeare
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- 15 April 2019, pp. 99-111
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Orchestral Theatre and the Concert as a Performance Laboratory
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- 08 October 2019, pp. 291-311
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Be a Little Careful: Women, Violence, and Performance in India
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- 16 January 2019, pp. 3-18
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Theatre Policies of Soviet Stalinism and Italian Fascism Compared, 1920–1940s
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- 08 October 2019, pp. 312-324
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The Uneasy Interplay of Forces in the Plays of García Lorca
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- 18 July 2019, pp. 209-220
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Margaret Macnamara: a ‘New Woman’ of the Independent Theatre Movement
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- 15 April 2019, pp. 112-120
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Ancient Greek Tragedy as Performance: the Literature–Performance Problematic
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- 16 January 2019, pp. 19-32
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Pressurizing the Politics of The Crucible: a Brechtian Production of Arthur Miller’s Modern Classic
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- 08 October 2019, pp. 325-340
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Failure, Trauma, and the Theatre of Negativity: the New Tragic in Contemporary Theatre and Performance
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- 16 January 2019, pp. 33-43
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Debating Natalism: Israeli One-Woman Shows on Experiencing Childlessness
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- 15 April 2019, pp. 121-134
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Wounds of the Past: the Chuanju Performance of Qingtan (Sighing)
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- 18 July 2019, pp. 221-237
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Émigré Cabaret and the Re-invention of Russia
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- 16 January 2019, pp. 44-59
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Performing the Rural in Contemporary Irish Theatre
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- 08 October 2019, pp. 341-351
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Looking at Lear: the Voice Work and Direction of Cicely Berry
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- 15 April 2019, pp. 135-149
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On the Researcher’s/Reviewer’s Bodily Presence in Theatre
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- 18 July 2019, pp. 238-250
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A Hero of the Two Koreas: Yi Sun-shin Dramatized in North and South
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- 16 January 2019, pp. 60-69
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Grotowski in New York City, 1993: Expectations, Hopes, and Stereotypes
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- 15 April 2019, pp. 150-168
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Channelling Intergenerational Desire in Catherine Johnson’s Mamma Mia!
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- 08 October 2019, pp. 352-364
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The Path to Woolf Works and the Language of Design
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- 18 July 2019, pp. 251-260
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