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Peter Brook's Six Days
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- 15 January 2009, pp. 99-106
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The Red Theatre under the Bed
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- 15 January 2009, pp. 195-201
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Going South: the San Francisco Mime Troupe in Nicaragua
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- 15 January 2009, pp. 291-302
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Reinhardt's ‘Miracle’ at Olympia: a Record and a Reconstruction
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- 15 January 2009, pp. 3-23
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Still Standing Upright: Ben Jonson, 350 Years Alive
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- 15 January 2009, pp. 202-206
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New Terms for Old Turns: the Rise of Alternative Cabaret
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- 15 January 2009, pp. 107-119
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The Unsolicited Playscript…and Its Almost Inevitable Return
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- 15 January 2009, pp. 24-28
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Comic Collisions: Convention, Rage, and Order
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- 15 January 2009, pp. 303-316
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The Director and the Playwright: Control over the Means of Production
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- 15 January 2009, pp. 207-217
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Fathers and Sons: Politics and Myth in Recent Zambian Drama
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- 15 January 2009, pp. 29-43
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The Act, the Role, and the Actor: Boy Actresses On the Elizabethan Stage
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- 15 January 2009, pp. 120-130
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‘Verbatim Theatre’: Oral History and Documentary Techniques
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- 15 January 2009, pp. 317-336
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Evacuating the Museum: the Crisis of Playwriting in Ulster
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- 15 January 2009, pp. 44-63
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The Drama of the Holocaust: Issues of Choice and Survival
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- 15 January 2009, pp. 337-348
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‘Reading‘ and Directing the Play
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- 15 January 2009, pp. 218-223
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Theatre of Liberation in Action: the People's Theatre Network of the Philippines
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- 15 January 2009, pp. 131-149
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The Field Day Theatre Company and the New Irish Drama
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- 15 January 2009, pp. 64-70
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Pirandello's Debut as Director: the Opening of the Teatro d' Arte
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- 15 January 2009, pp. 349-351
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The Female Role in the Theatre
Women Experiment with Theatre: Magdalena 86
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- 15 January 2009, pp. 224-234
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Research Article
‘Ibsen Translated by Lewis Carroll’: the Theatre of John Guare
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- 15 January 2009, pp. 150-154
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