NTQ Book Reviews
Louise McCollellExit, Pursued by a Bear. London: Bloomsbury, 2003. 406 p. £16.99. ISBN 0-7475-6639-9.
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- 26 January 2005, p. 100
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Tracy C. Davis and Thomas Postlewait, ed.Theatricality Cambridge: Cambridge University Press, 2003. 243 p. £40.00 (hbk), £16.99 (pbk). ISBN 0-521-81269-0 (hbk), 0-521-01207-4 (pbk).
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- 18 July 2005, p. 299
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Jonathan Holmes, Merely Players? Actors' Accounts of Performing Shakespeare, London; New York: Routledge, 2004. £18.99. ISBN 0-415-31958-7.
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- 21 April 2005, pp. 195-196
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Robert Smallwood, ed.Players of Shakespeare 6 Cambridge: Cambridge University Press, 2004. 236 p. £35.00. ISBN: 0-521-84088-0.
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- 19 October 2005, pp. 396-397
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Gail Marshall and Adrian Poole, ed.Victorian Shakespeare: Volume I, Theatre, Drama, and Performance, Volume II, Literature and Culture, Basingstoke; New York: Palgrave Macmillan, 2003. £50.00 per volume. ISBN 1-4039-1116-9, 1-4039-1117-7.
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- 18 July 2005, pp. 299-300
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Errol G. Hill and James V. Hatch, A History of African-American Theatre, Cambridge: Cambridge University Press, 2003. 608 p. £75.00, ISBN 0-521-62443-6.
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- 21 April 2005, p. 197
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Franc ChamberlainMichael Chekhov London; New York: Routledge, 2003. 152 p. £9.99. ISBN 0-415-25878-2. Bella MerlinKonstantin Stanislavsky London; New York: Routledge, 2003. 171 p. £9.99. ISBN 0-415-25886-3. Simon MurrayJacques Lecoq London; New York: Routledge, 2003. 180 p. £9.99. ISBN 0-415-25882-0. Jonathan PitchesVsevolod Meyerhold London; New York: Routledge, 2003. 162 p. £9.99. ISBN 0-415-25884-7.
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- 26 January 2005, pp. 99-100
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Douglas Bruster and Robert WeimannPrologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama London; New York: Routledge, 2004. 189 p. £18.99. ISBN: 0- 415-33443-8.
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- 19 October 2005, pp. 397-398
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Jane MoodyIllegitimate Theatre in London, 1770–1840 Cambridge: Cambridge University Press, 2000. xiv, 278 p. £50.00. ISBN 0-521-56376-3.
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- 18 July 2005, p. 301
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Robert LeachMakers of Modern Theatre: an Introduction London: Routledge, 2004. 216 p. £12.99. ISBN: 0-415-31241-8.
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- 19 October 2005, p. 398
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Francesca T. Royster, Becoming Cleopatra: the Shifting Image of an Icon, New York; London: Palgrave Macmillan, 2003. 285 p. £14.99. ISBN 1-4039-6109-3.
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- 21 April 2005, pp. 196-197
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Mark RylancePlay London: Shakespeare's Globe, 2003. 190 p. ISBN 0-953-64804-4.
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- 26 January 2005, p. 101
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Ric KnowlesReading the Material Theatre Cambridge: Cambridge University Press, 2004. 236 p. £40.00 (hbk); £16.99 (pbk). ISBN: 0-521-54331-7 (hbk); 0-521-64416-X (pbk).
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- 19 October 2005, pp. 398-399
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Brian Woolland, ed.Jonsonians: Living Traditions Aldershot: Ashgate, 2003. 246 p. £45. ISBN 0-7546-0610-4.
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- 26 January 2005, pp. 100-101
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Frances Harding, ed., The Performance Arts in Africa: a Reader, London; New York: Routledge, 2002. xiv, 364 p. £18.99. ISBN 0-415-26198-8.
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- 21 April 2005, pp. 197-198
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Olga TaxidouTragedy, Modernity, and Mourning Edinburgh: Edinburgh University Press, 2004. 215 p. £45.00. ISBN 0-7486-1987-9.
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- 18 July 2005, pp. 300-301
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Martin Banham, ed., A History of Theatre in Africa, Cambridge: Cambridge University Press, 2004. xvii, 478 p. £80.00. ISBN: 0-521-80813-8.
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- 21 April 2005, pp. 198-199
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David WilesA Short History of Western Performance Space Cambridge: Cambridge University Press, 2003. 316 p. £16.95 (pbk); £45 (hbk). ISBN: 0-521-01274-0 (pbk); 0-521-81324-7 (hbk).
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- 19 October 2005, p. 399
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Neil BlackadderPerforming Opposition: Modern Theatre and the Scandalized Audience Westport, Conn: Praeger, 2003. 219 p. $69.95. ISBN 0-274-98056-1.
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- 26 January 2005, pp. 101-102
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Edward Scheer, ed.Antonin Artaud: a Critical Reader London: Routledge, 2004. 204 p. ISBN 0-415-28255-1
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- 18 July 2005, pp. 301-302
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