Research Article
Preaching the Enjoyable Revolution
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- 17 September 2003, pp. 299-300
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Small Audience, Big Picture
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- 17 September 2003, pp. 300-304
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Views across Borders
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- 17 September 2003, pp. 304-306
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He Wrote What He Saw: the Visual Language of John McGrath
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- 17 September 2003, pp. 307-312
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Cheerful History: the Political Theatre of John McGrath
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- 17 September 2003, pp. 313-324
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‘Blood Red Roses’: John McGrath and Lukácsian Realism
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- 17 September 2003, pp. 325-333
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Tomorrow's Theatre – and How to Get There from Today's
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- 17 September 2003, pp. 334-342
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Finite Resources, Infinite Dedication: Shakespeare at the Tobacco Factory
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- 17 September 2003, pp. 343-354
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Forgetting the Text: Derrida and the ‘Liberation’ of the Actor
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- 17 September 2003, pp. 355-358
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The Market Theatre of Johannesburg in the New South Africa
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- 17 September 2003, pp. 359-374
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‘Talent Is the Ability to Be in the Present’: Gestalt Therapy and George Tabori's Early Theatre Practice
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- 17 September 2003, pp. 375-391
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NTQ Reports and Announcements
Plugged into History
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- 17 September 2003, pp. 392-393
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Masks in the Ancient and Modern Theatre
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- 17 September 2003, pp. 393-394
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NTQ Book Reviews
Rough Magic: Making Theatre at the Royal Shakespeare Company by Steven Adler, Carbondale; Edwardsville: Southern Illinois University Press, 2001. 272 p. £41.95 (hbk), £16.95 (pbk). ISBN: 0-8093-2376-1 (hbk), 0-8093-2377-x (pbk).
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- 17 September 2003, p. 395
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Playing the Past: Approaches to English Historical Drama 1385–1600 by Benjamin Griffin, Woodbridge: D. S. Brewer, 2001. £40.00. ISBN: 1-085991-615-4.
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- 17 September 2003, pp. 395-396
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British Theatre in the 1950s by Dominic Shellard, ed., Sheffield: Sheffield Academic Press, 2000. £14.95. ISBN: 1-84127-048-2.
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- 17 September 2003, p. 396
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The Culture of Playgoing in Shakespeare's England: a Collaborative Debate by Anthony B. Dawson and Paul Yachnin, Cambridge: Cambridge University Press, 2001. x, 215 p. £37.50. ISBN: 0-521-80016-1.
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- 17 September 2003, p. 396
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Screen Acting by Alan Lovell and Peter Krämer, ed., New York: Routledge, 1999. £13.99. ISBN: : 0-415-18294-8.
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- 17 September 2003, p. 397
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‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes by Graham Saunders, Manchester: Manchester University Press, 2002. 198 p. £14.00. ISBN: 0-7190-5956-9.
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- 17 September 2003, p. 397
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Through the Body: a Practical Guide to Physical Theatre by Dymphna Callery, London: Nick Hern Books; New York: Routledge, 2001. 238 p. £12.99. ISBN: 1-85459-630-6.
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- 17 September 2003, p. 398
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